With regard to the former a few words must be said. Mulai Omar, who had been left as viceroy by Mulai el Hassen, whose son he was by a slave wife, is a young man of extremely vicious and degenerate habits, nearly black in colour, and with an expression as ugly as it is revolting. While beyond his immorality no actual charge of crime can be laid to his door, he may be said to be incapable of filling the position he held, and to want discretion and common-sense.
It appears—and I knew of the event at the time—that on his learning of the death of his father, he sent to the Jewish silversmiths, by whom all Government work is done, and ordered one of their number to make him a seal. Now in Morocco a seal is an exceedingly important object, and no one uses a seal of office unless it is actually presented to him by the Sultan. So far the story is generally known, but here my version—the true version—differs, for while the European press harped upon the fact that Mulai Omar wished to make himself a seal with the inscription of Sultan upon it, the fact was that the seal was to bear Mulai Abdul Aziz’s name, and that the reason of Mulai Omar’s ordering it to be made was not in order to stamp documents himself as Sultan, but probably to have in his possession a means of forging letters supposed to have come from Court. Whether his idea was by this to make the best of the short period that remained to him as viceroy to amass money, or whether in case of any outbreak or disturbance on the part of the population to be able to forge conciliatory or other letters that would keep them quiet until his brother’s arrival, it is impossible to say. But whatever may have been the desire, the result in the suspicious eyes of his brother was this—that he had attempted by some means to usurp the throne.
However, the seal was never made. The Jew artificer, knowing the penalty that would meet him at the hands of the Sultan were he even the innocent instrument in this, fled and sought the protection of an influential member of the Government, and the affair was knocked on the head at once.
A second charge was also laid at Mulai Omar’s door—that of having ordered the music of the drums and pipes to cease on the occasion of the announcement of Mulai Abdul Aziz’s succession to the throne. On the players refusing, his Highness sent a slave, who enforced silence by splitting up the drums with a dagger. For this act of treason he was afterwards punished by having the flesh of his hand sliced, the wound filled with salt, and the whole hand sewn up in leather. It is a common belief that this punishment causes mortification to set in, and that the hand decomposes; but such is not the case, for by the time the leather wears off the wound is healed, the result being that the hand is rendered useless, and remains closed for ever. It is a punishment not often in use, but is sometimes done in cases of murder or constant theft, as, without in any way injuring the health of the man, it prevents his committing the crime a second time, or for the hundredth time, as the case may be. It is a punishment that cannot be applied except by the Sultan’s orders.
It was no doubt on account of these offences that letters were received by Mulai Omar from the Sultan, forbidding him to leave his house, and placing him under surveillance—a course that was supplemented on his brother’s arrival by chains upon his legs. Meanwhile his Majesty had been pleased to treat his brother, Mulai Mohammed, in Morocco City, in the same manner.
As to the remitting of the local taxes and octroi in Fez, but little need be said. Certain unfriendly remarks had been overheard regarding the new Sultan, and the general tone of the Fez people was not satisfactory. Fearing that an outbreak might occur, and knowing that the avaricious inhabitants were open to no persuasion except money, the Amin Haj Abdesalam Makri, the Chancellor of the Exchequer of Fez, on his own authority, remitted this most unpopular tax, which is contrary to Moorish law. It turned the tide, and the Fez citizen, finding himself a few dollars, or a few pence, the richer, changed front, and was loud in his acclamations of the new Sultan. The charm of the situation was, however, that as soon as the Sultan had safely entered Fez, and was thus securely upon the throne, he instituted once again the tax, and the population rose on the morning of Tuesday, July 24, to find the tax-gatherers returned to their accustomed haunts.
On Saturday, July 21, Mulai Abdul Aziz made his State entry into Fez.
From an early hour all was stir and bustle in the capital, and before the sun had risen the streets were full of long strings of men, women, and children, mounted and on foot, pouring toward the upper part of the city, New Fez, where the entry was to take place. The crowd was large but orderly, and, like all Moorish crowds, silent, though now and again a shout burst forth when some native, gay in colour, galloped along on his richly trapped horse and fired his gun.
Without the city the crowd ranged itself on each side of the road, which was guarded by long lines of troops, the cavalry near the city, and beyond in the plain the infantry.
The Sultan had spent the night at a distance of some six miles away, where the great camp had been pitched, and early as it was when I arrived upon the scene outside the gate of the city, stragglers and troops from the mahalla were already arriving,—wild tribesmen, mounted or on foot, Kaids of districts with their troops of irregular cavalry, mules and camels laden with baggage, black slaves and women. I was soon free of the crowd, and riding slowly along behind the line of soldiers toward the camp.