To enter the fourth and highest degree of the society requires a greater number of feasts than before, and the candidate, who continues to personate the Bear Spirit, again uses his sacred drum, as he is shown sitting before it in No. 78, and chants more prayers to Dzhe Man´idō for his favor. This degree is guarded by the greatest number and the most powerful of malevolent spirits, who make a last effort to prevent a candidate’s entrance at the door (No. 79) of the fourth degree structure (No. 80). The chief opponents to be overcome, through the assistance of Dzhe Man´idō, are two Panther Spirits (Nos. 81 and 82) at the eastern entrance, and two Bear Spirits (Nos. 83 and 84) at the western exit. Other bad spirits are about the structure, who frequently gain possession and are then enabled to make strong and prolonged resistance to the candidate’s entrance.
The chiefs of this group of malevolent beings are Bears (Nos. 88 and 96), the Panther (No. 91), the Lynx (No. 97), and many others whose names they have forgotten, their positions being indicated at Nos. 85, 86, 87, 89, 90, 92, 93, 94, and 95, all but the last resembling characters ordinarily employed to designate serpents.
The power with which it is possible to become endowed after passing through the fourth degree is expressed by the outline of a human figure (No. 98), upon which are a number of spots indicating that the body is covered with the mī´gis or sacred shells, symbolical of the Midē´wiwin. These spots designate the places where the Midē´ priests, during the initiation, shot into his body the mī´gis and the lines connecting them in order that all the functions of the several corresponding parts or organs of the body may be exercised.
The ideal fourth degree Midē´ is presumed to be in a position to accomplish the greatest feats in necromancy and magic. He is not only endowed with the power of reading the thoughts and intentions of others, as is pictorially indicated by the mī´gis spot upon the top of the head, but to call forth the shadow (soul) and retain it within his grasp at pleasure. At this stage of his pretensions, he is encroaching upon the prerogatives of the Jĕs´sakkīd´, and is then recognized as one, as he usually performs within the Jĕs´sakkân or Jĕs´sakkīd´ lodge, commonly designated “the Jugglery.”
The ten small circular objects upon the upper part of the record may have been some personal marks of the original owner; their import was not known to my informants and they do not refer to any portion of the history or ceremonies or the Midē´wiwin.
Extending toward the left from the end of the fourth degree inclosure is an angular pathway (No. 99), which represents the course to be followed by the Midē´ after he has attained this high distinction. On account of his position his path is often beset with dangers, as indicated by the right angles, and temptations which may lead him astray; the points at which he may possibly deviate from the true course of propriety are designated by projections branching off obliquely toward the right and left (No. 100). The ovoid figure (No. 101) at the end of this path is termed Wai-ĕk´-ma-yŏk´—End of the road—and is alluded to in the ritual, as will be observed hereafter, as the end of the world, i.e., the end of the individual’s existence. The number of vertical strokes (No. 102) within the ovoid figure signify the original owner to have been a fourth degree Midē´ for a period of 14 years.
The outline of the Midē´wigân (No. 103) not only denotes that the same individual was a member of the Midē´wiwin, but the thirteen vertical strokes shown in Nos. 104 and 105 indicate that he was chief Midē´ priest of the society for that number of years.
The outline of a Midē´wigân as shown at No. 106, with the place upon the interior designating the location of the sacred post (No.
107) and the stone (No. 108) against which the sick are placed during the time of treatment, signifies the owner to have practiced his calling of the exorcism of demons. But that he also visited the sick beyond the acknowledged jurisdiction of the society in which he resided, is indicated by the path (No. 109) leading around the sacred inclosure.
Upon that portion of the chart immediately above the fourth degree lodge is shown the outline of a Midē´wiwin (No. 110), with a path (No. 114), leading toward the west to a circle (No. 111), within which is another similar structure (No. 112) whose longest diameter is at right angles to the path, signifying that it is built so that its entrance is at the north. This is the Dzhibai´ Midē´wigân or Ghost Lodge.