The Young Piper

There lived on the borders of the county of Tipperary a decently honest couple whose names were Mick Flanigan and Judy Muldoon. These poor people were blessed, as the saying is, with four children, all boys: three of them were as fine, stout, healthy, good-looking children as ever the sun shone upon; and it was enough to make any Irishman proud of his countrymen to see them about one o’clock on a fine summer day standing at their father’s cabin door, with their beautiful flaxen hair hanging in curls about their heads, and their cheeks like two rosy apples, and a big laughing potato smoking in their hands. A proud man was Mick of these fine children, and a proud woman, too, was Judy; and reason enough they had to be so. But it was far otherwise with the remaining one, which was the third eldest: he was the most miserable, ugly, ill-conditioned brat you ever saw: he was so ill-thriven that he never was able to stand alone, or to leave the cradle; he had long, shaggy, matted, curled hair, as black as the soot; his face was of a greenish-yellow colour; his eyes were like two burning coals, and were for ever moving in his head, as if they had had the perpetual motion. Before he was a twelvemonth old he had a mouthful of great teeth; his hands were like kite’s claws, and his legs were no thicker than the handle of a whip, and about as straight as a reaping hook: to make the matter worse, he had the appetite of a cormorant, and the whinge, and the yelp, and the screech, and the yowl was never out of his mouth.

The neighbours all suspected that he was something not right, particularly as it was observed, when people, as they do in the country, got about the fire and began to talk of religion and good things, the brat, as he lay in the cradle, which his mother generally put near the fire-place that he might be snug, used to sit up, as they were in the middle of their talk, and begin to bellow as if the devil was in him in right earnest: this, as I said, led the neighbours to think that all was not right, and there was a general consultation held one day about what would be best to do with him. Some advised one thing, and some another; at last one spoke of sending for the priest, who was a very holy and a very learned man, to see it. To this Judy of course had no objection, but one thing or another always prevented her doing so, and the upshot of the business was that the priest never saw him.

Things went on in the old way for some time longer. The brat continued yelping and yowling, and eating more than his three brothers put together, and playing all sorts of unlucky tricks, for he was mighty mischievously inclined; till it happened one day that Tim Carrol, the blind piper, going his rounds, called in and sat down by the fire to have a bit of chat with the woman of the house. So after some time, Tim, who was no churl of his music, yoked on the pipes, and began to bellows away in high style; when the instant he began, the young fellow, who had been lying as still as a mouse in his cradle, sat up, began to grin and twist his ugly face, to swing about his long tawny arms, and to kick out his crooked legs, and to show signs of great glee at the music. At last nothing would serve him but he should get the pipes into his own hands, and to humour him his mother asked Tim to lend them to the child for a minute. Tim, who was kind to children, readily consented; and as Tim had not his sight, Judy herself brought them to the cradle, and went to put them on him; but she had no occasion, for the youth seemed quite up to the business. He buckled on the pipes, set the bellows under one arm, and the bag under the other, worked them both as knowingly as if he had been twenty years at the business, and lilted up “Sheela na guira” in the finest style imaginable.

All were in astonishment: the poor woman crossed herself. Tim, who, as I said before, was dark, and did not well know who was playing, was in great delight; and when he heard that it was a little prechan not five years old, that had never seen a set of pipes in his life, he wished the mother joy of her son; offered to take him off her hands if she would part with him, swore he was born a piper, a natural genus, and declared that in a little time more, with the help of a little good instruction from himself, there would not be his match in the whole county. The poor woman was greatly delighted to hear all this, particularly as what Tim said about natural genus quieted some misgivings that were rising in her mind, lest what the neighbours said about his not being right might be too true; and it gratified her moreover to think that her dear child (for she really loved the whelp) would not be forced to turn out and beg, but might earn decent bread for himself. So when Mick came home in the evening from his work, she up and told him all that had happened, and all that Tim Carrol had said; and Mick, as was natural, was very glad to hear it, for the helpless condition of the poor creature was a great trouble to him. So next day he took the pig to the fair, and with what it brought set off to Clonmel, and bespoke a brand-new set of pipes of the proper size for him.

In about a fortnight the pipes came home, and the moment the chap in his cradle laid eyes on them, he squealed with delight and threw up his legs, and bumped himself in his cradle, and went on with a great many comical tricks; till at last, to quiet him, they gave him the pipes, and he immediately set to and pulled away at “Jig Polthog,” to the admiration of all that heard him.

The fame of his skill on the pipes soon spread far and near, for there was not a piper in the next six counties could come at all near him in “Old Moderagh rue,” or “The Hare in the Corn,” or “The Fox-Hunter’s Jig,” or “The Rakes of Cashel,” or “The Piper’s Maggot,” or any of the fine Irish jigs which make people dance whether they will or no: and it was surprising to hear him rattle away “The Fox Hunt”; you’d really think you heard the hounds giving tongue and the terriers yelping always behind, and the huntsman and the whippers-in cheering or correcting the dogs; it was, in short, the very next thing to seeing the hunt itself.

The best of him was he was noways stingy of his music, and many a merry dance the boys and girls of the neighbourhood used to have in his father’s cabin; and he would play up music for them, that they said used as it were to put quicksilver in their feet; and they all declared they never moved so light and so airy to any piper’s playing that ever they danced to.

But besides all his fine Irish music, he had one queer tune of his own, the oddest that ever was heard; for the moment he began to play it everything in the house seemed disposed to dance; the plates and porringers used to jingle on the dresser, the pots and pot-hooks used to rattle in the chimney, and people used even to fancy they felt the stools moving from under them; but, however it might be with the stools, it is certain that no one could keep long sitting on them, for both old and young always fell to capering as hard as ever they could. The girls complained that when he began this tune it always threw them out in their dancing, and that they never could handle their feet rightly, for they felt the floor like ice under them, and themselves every moment ready to come sprawling on their backs or their faces. The young bachelors that wished to show off their dancing and their new pumps, and their bright red or green and yellow garters, swore that it confused them so that they never could go rightly through the heel and toe, or cover the buckle, or any of their best steps, but felt themselves always all bedizzied and bewildered, and then old and young would go jostling and knocking together in a frightful manner; and when the unlucky brat had them all in this way, whirligigging about the floor, he’d grin and chuckle and chatter, for all the world like Jacko the monkey when he has played off some of his roguery.