Given, then, that vocabulary is to be borrowed and not created anew, it is obvious that the principle of borrowing must be maximum of internationality of roots—i.e. those words will be adopted by preference which are already common to the greatest number of chief languages. Now, by far the greater number of such international words (which are far more numerous than was thought before a special study was made of the subject) are Romance, being of Latin origin. This is the justification of the prevalence of the Romance element in any modern artificial language. It has been frequently made a reproach against Esperanto that it is a Romance language; but the unanimous verdict of the competent linguists who composed the academy for the emendation of Volapük may be taken as final. They threshed the question out once for all, and their conclusion derives added force from the fact that it is the result of conversion.
But it may be doubted whether they have not gone rather far in this direction and overshot the mark.
Comparing Idiom Neutral with Esperanto, it will be found that the latter admits a larger proportion of non-Romance words. While fully recognizing and doing justice to the accepted principle of selection, maximum of internationality, Esperanto sometimes gives the preference to a non-Romance word in order to avoid ambiguity and secure a perfectly distinct root from which to form derivatives incapable of confusion with others.1 There is always a good reason for the choice; but it is easier to appreciate this after learning the language.
1It is obvious, too, that English, Germans, and Slavs will be more attracted to a language which borrows some of its features from their own tongues, than to an entirely Romance language. This relatively wider international appeal is another advantage of Esperanto.
But a mere comparison of the brief texts given above will bring out another point in favour of Esperanto—its full vocalic endings. On the other hand, many words in Idiom Neutral present a mutilated appearance to the eye, and, what is a much greater sin in an international language, offer grave difficulties of pronunciation to speakers of many nations. Words ending with a double consonant are very frequent, e.g. nostr patr; and these will be unpronounceable for many nations, e.g. for an Italian or a Japanese. Euphony is one of the strongest of the many strong points of Esperanto. In it the principle of maximum of internationality has been applied to sounds as well as forms, and there are very few sounds that will be a stumbling-block to any considerable number of speakers. Some of its modern rivals seem to forget that a language is to be spoken as well as written. When a language is unfamiliar to the listener, he is greatly aided in understanding it if the vowel-sounds are long and full and the pronunciation slow, almost drawling. Esperanto fulfils these requisites in a marked degree. It is far easier to dwell upon two-syllabled words with full vocalic endings like patro nia than upon awkward words like nostr patr.
Yet another advantage of Esperanto is illustrated in the same texts. Owing to its system of inflexion and the possession of an
objective case, it is extremely flexible, and can put the words in almost any order, without obscuring the sense. Thus, in the translation of the Pater Noster, the Esperanto text follows the Latin word for word and in the same order. It is obvious that this flexibility confers great advantages for purposes of faithful and spirited translation.
VI
the newest languages: a neo-latin group—gropings towards a "pan-european" amalgamated scheme