'Ah, well, perhaps I'd better wear the grey coat and skirt. And my furs and toque.'
'The beaver, mum?'
'No, of course not, the white fox. And, oh, Mary, I've lost my little bag somewhere. And tell Charlotte to send me up a cup of tea at half-past three.'
Mary left the room silently. She seldom asked questions, and never expressed pleasure, displeasure or surprise.
Victoria walked up to her bedroom; the staircase was papered with a pretty blue and white pattern over a dado of white lincrusta. A few French engravings stood out in their old gold frames. Victoria stopped at the first landing to look at her favourite, after Lancret; it represented lovers surprised in a barn by an irate husband.
The bedroom occupied the entire first floor. On taking possession of the little house she had realised that, as she would have no callers, a drawing-room would be absurd, so had suppressed the folding doors and made the two rooms into one large one. In the front, between the two windows, stood her dressing-table, now covered with small bottles, some in cut glass and full of scent, others more workmanlike, marked vaseline, glycerine, skin food, bay rum. Scattered about them on the lace toilet cover, were boxes of powder, white, sepia, bluish, puffs, little sticks of cosmetics, some silver-backed brushes, some squat and short-bristled, others with long handles, with long soft bristles, one studded with short wires, another with whalebone, some clothes brushes too, buttonhooks, silver trays, a handglass with a massive silver handle. Right and left, two little electric lamps and above the swinging mirror, a shaded bulb shedding a candid glow.
One wall was blotted out by two inlaid mahogany wardrobes; through the open doors of one could be seen a pile of frilled linen, lace petticoats, chemises threaded with coloured ribbons. On the large arm-chair, covered with blue and white chintz, was a crumpled heap of white linen, a pair of café au lait silk stockings. A light mahogany chair or two stood about the room. Each had a blue and white cushion. A large wash-stand stood near the mantlepiece, laden with blue and white ware. The walls were covered with blue silky paper, dotted here and there with some colour prints. These were mostly English; their nude beauties sprawled and languished slyly among bushes, listening to the pipes of Pan.
Victoria went into the back of the room, and, unhooking her cream silk dressing jacket, threw it on the bed. This was a vast low edifice of glittering brown wood, covered now by a blue and white silk bedspread with edges smothered in lace; from the head of the bed peeped out the tips of two lace pillows. By the side of the bed, on the little night table, stood two or three books, a reading lamp and a small silver basket full of sweets. An ivory bell-pull hung by the side of a swinging switch just between the pillows.
Victoria walked past the bed and looked at herself in the high looking-glass set into the wall which rose from the floor to well above her head. The mirror threw back a pleasing reflection. It showed her a woman of twenty-six, neither short nor tall, dressed in a white petticoat and mauve silk corsets. The corsets fitted well into the figure which was round and inclined to be full. Her arms and neck, framed with white frillings, were uniformly cream coloured, shadowed a little darker at the elbows, near the rounded shoulders and under the jaw; all her skin had a glow, half vigorous, half delicate. But the woman's face interested Victoria more. Her hair was piled high and black over a broad low white forehead; the cream of the skin turned faintly into colour at the cheeks, into crimson at the lips; her eyes were large, steel grey, long lashed and thrown into relief by a faintly mauve aura. There was strength in the jaw, square, hard, fine cut; there was strength too in the steadiness of the eyes, in the slightly compressed red lips.
'Yes,' said Victoria to the picture, 'you mean business.' She reflected that she was fatter than she had ever been. Two months of rest had worked a revolution in her. The sudden change from toil to idleness had caused a reaction. There was something almost matronly about the soft curves of her breast. But the change was to the good. She was less interesting than the day when the Major sat face to face with her in Soho, his pulse beating quicker and quicker as her ravished beauty stimulated him by its novelty; but she was a finer animal. Indeed she realised to the full that she had never been so beautiful, that she had never been beautiful before, as men understand beauty.