A Bed of Roses

by Walter Lionel George

The Secretary made a shorthand note. Then she looked at Victoria's flashing eyes, heightened colour, thick piled hair.

'I am very sorry,' she began lamely. . . .

What dreadful things women are, thought Victoria, folding up the Telegraph. If Christ had said: Let her who hath never sinned. . . the woman would have been stoned. Victoria got up, went to the looking-glass and inspected herself. Yes, she was very pretty. She was prettier than she had ever been before. Her skin was paler, her eyes larger; her thick eyebrows almost met in an exquisite gradation of short dark hairs over the bridge of the nose. She watched her breast rise and fall gently, flashing white through the black lacework of her blouse, then falling away from it, tantalising the faint sunshine that would kiss it. As she turned, another looking-glass set in the lower panels of a small cupboard told her that her feet were small and high arched. Her openwork stockings were drawn so tight that the skin there also gleamed white.

Victoria took from the table a dirty visiting card. It bore the words 'Louis Carrel, Musical and Theatrical Agent, 5 Soho Place.' She had come by it in singular manner. Two days before, as she left the offices of the 'Compleat Governess Agency' after having realised that she could not qualify in either French, German, Music, Poker work or Swedish drill, she had paused for a moment on the doorstep, surveying the dingy court where they were concealed, the dirty panes of an unlet shop opposite, the strange literature flaunting in the showcase of some publisher of esoterics. A woman had come up to her, rising like the loafers from the flagstones. She had realised her as between ages and between colours. Then the woman had disappeared as suddenly as she came without having spoken, leaving in Victoria's hand the little square of pasteboard.

Victoria looked at it meditatively. She would have shrunk from the idea of the stage a year before, when the tradition of Lympton was still upon her. But times had changed; a simple philosophy was growing in her; what did anything matter? would it not be all the same in a hundred years? The discovery of this philosophy did not strike her as commonplace. There are but few who know that this is the philosophy of the world.

Victoria put down the card and began to dress. She removed the old black skirt and ragged lace blouse and, as she stood before the glass in her short petticoat, patting her hair and setting a comb, she reflected with satisfaction that her arms were shapely and white. She looked almost lovingly at the long thin dark hairs, fine as silk, that streaked her forearms; she kissed them gently, moved to self-adoration by the sweet scent of femininity that rose from her.

She tore herself away from her self-worship and quickly began to dress. She put on a light skirt in serge, striped black and white, threading her head through it with great care for fear she should damage her fringe net. She drew on a white blouse, simple enough though cheap. As it fastened along the side she did not have to call in Miss Briggs; which was fortunate, as this was the time when Miss Briggs carried coals. Victoria wriggled for a moment to settle the uncomfortable boning of the neck and, having buckled and belted the skirt over the blouse, completed her toilet with her little black and white jacket to match the skirt. A tiny black silk cravat from her neck was discarded, as she found that the fashionable ruffle, emerging from the closed coat, produced an effet mousquetaire. Lastly she put on her hat; a lapse from the fashions perhaps, but a lovable, flat, almost crownless, dead black, save a vertical group of feathers.

Victoria drew her veil down, regretting the thickness of the spots, pushed it up to repair with a dab of powder the ravage of a pod on the tip of her nose. She took up her parasol and white gloves, a glow of excitement already creeping over her as she realised how cleverly she must have caught the spirit of the profession to look the actress to the life and yet remain in the note of the demure widow.

Soho Place is neither one of the 'good' streets nor one of the 'bad.' The police do not pace it in twos and threes in broad daylight, yet they hardly like to venture into it singly by night. On one side it ends in a square; on the other it turns off into an unobtrusive side street, the reputation of which varies yard by yard according to the distance from the main roads. It is dirty, dingy; yet not without dignity, for its good Georgian and Victorian houses preserve some solidity and are not yet of the tenement class. They are still in the grade of office and shop which is immediately below their one-time status of dwellings for well-to-do merchants.

Victoria entered Soho Place from the square, so that she was not too ill impressed. She walked in the middle of the pavement, unconsciously influenced the foreign flavour of Soho. There men and women stand all day in the street, talking, bargaining, quarrelling and making love; when a cab rattles by they move aside lazily, as a Neapolitan stevedore rolls away on the wharf from the wheels of a passing cart.