The attempt to recover Normandy, under Henry of England, is a stirring chronicle of battle. The city of Rouen was at this time stoutly fortified, while it was famed for its wealth and power. Led by the brave Alan Blanchard, the people of Rouen made a fierce defence. But Henry had cut off approach from the sea; he held, too, the roads to Paris. He encompassed the walls of Rouen with his army; he brought boats up the river, constructed a floating bridge, and dug trenches for his troops.
The soldiers and citizens within the city resisted for six terrible months. Many were the victims of famine, and those who strove to escape were at once struck down by the besiegers. “Fire, blood and famine” were Henry’s handmaids of war, and he declared that he had chosen “the meekest maid of the three” to subdue Rouen.
At length the starving and desperate citizens resolved to burn the city, and to fling themselves on the English. This threat caused Henry to offer terms of pacification. Blanchard, the valorous defender of Rouen, was, however, killed by order of the English monarch.
The immortal Joan of Arc appears later on the scene. We cannot follow the strange and inspiring page of her career. Betrayed at length, and given into the hands of the English, she was imprisoned in Rouen, where a charge of heresy was made against her. To escape from the military to the ecclesiastic prison Joan pleaded guilty to the accusation of heresy. The story of her martyrdom is not a theme upon which one cares to dwell. The English cause was lost, though Joan of Arc was burned. “Oh, Rouen, Rouen, I have great fear lest you suffer for my death. Yes! my voices were of God; they have never deceived me.” And as the maid dropped in the writhing flames, the soldiers cried: “We are lost! We have burned a saint!”
“No longer on St Denis will we cry,
But Joan la Pucelle shall be France’s saint.”
The French recaptured Rouen in 1499. There is now no trace of the proud castle built by Henry V. of England. The prophetic cry of the soldiers had been fulfilled.
Before the end of the thirteenth century a cathedral was built in the city, and by the sixteenth century the stupendous edifice was finished. Notre Dame has a splendid west front, and very ornamental entrances to the transepts. The decorated rose windows are exceedingly fine. The choir has thirteenth-century stained windows, which must be seen in the sunlight. Here, too, are the monuments of Henry II. and Richard I. Unfortunately, much of the external decoration of Notre Dame has been disfigured by weathering, and some of the images have disappeared. But the rose windows are very celebrated, and the tower of the sixteenth century is richly ornamented.
The Lady Chapel contains the tomb of two cardinals, with beautifully sculptured figures, and carvings of exquisite craftsmanship. The tomb of the Duke of Brézé is attributed to Jean Goujon, and the images are true works of genius.
Saint-Owen is perhaps more interesting than the cathedral. It is an immense building, and though so huge, finely proportioned. The south portal is rich and exquisite in its decoration.
For an example of Goujon’s work, you must inspect the remarkably decorated door of the Church of St Madou. There are other notable churches in Rouen; and the fine stained-glass windows of St Godard must not be overlooked.