The Story of Seville

by Walter M. Gallichan

The pasos or processions of Semana Santa pass through Sierpes to the Plaza de la Constitución, where the mayor of the city is seated on a daïs before the Ayuntamiento. Here there are stands for spectators. The processions are headed by men of the Guardia Civil; mummers dressed as Romans follow, then come masked monks, girls in white raiment, bands of music, and city officials. On Palm Sunday there is a blessing of the palms in the Cathedral by the Cardinal Archbishop, who is clothed in purple canonicals. The procession leaves the edifice by the Puerta San Miguel. At Vespers the sacred banner is elevated, and at six in the evening four pasos parade the streets, in honour of San Jacinto, Santisimo Cristo, San Juan Bautista and San Gregorio.

Figures by Montañez, the celebrated ecclesiastical sculptor, are borne in these processions. One of the most imposing objects of veneration is the immense crucifix, carried on a stand by thirty concealed bearers. It is followed by musicians playing the solemn funeral music of Eslava.

Miguel Hilarion Eslava, the composer, was born in 1807, near Pampeluna, in the north of Spain. He sang in the cathedral choir of that city, and afterwards played the violin in services. First a priest, he became chapel-master at Seville, in 1832, where he composed a great number of pieces of church music and masses. His chief work is Lira Sacro Hispaña, a collection of sacred music from the sixteenth to the nineteenth century, with brief biographies of the composers. This magnum opus is in ten volumes.

Eslava also wrote secular music, and his operas of Il Solitario, La Tregura di Ptolemaide and Pedro el Cruel were first produced at Cadiz. The eighth volume of the Lira contains only Eslava's music, and the Museo Organico Español embodies some of his own organ compositions. This famous composer spent many years of his life in Seville. He lived in a house in the Calle del Gran Capitan, now used as the Colegio de San Miguel, a school for boys. Over the gateway is an inscription announcing that Eslava lived in this house. The courtyard is extremely quaint, and should be seen.

The solemn strains of Eslava's Miserere may be heard in the Capilla Mayor of the Cathedral during Holy Week, upon the day of 'rending the Veil of the Temple.' This ceremony is accompanied by peals of artificial thunder. On the Saturday after Good Friday, the Velo Negro (black curtain) is torn amidst the clanging of bells and claps of thunder. On the same day a candle, twenty-five feet in height, is consecrated.

There is a similarity in the processions of Semana Santa, and they are less sumptuous than in bygone times. But they are still popular, and the visitor should endeavour to obtain a favourable point of view for watching the ceremonials in the streets and in the Cathedral. The figure of the Virgin is always the same in Spain; an image clad in black velvet, trimmed with lace, and adorned with diamonds, while the tableaux of the Saviour upon the Cross are often very realistic and ghastly. On Good Friday the large image of the Virgin is carried by thirty-five men, and there is a representation of Christ in the throes of death upon a splendid cross of tortoiseshell and silver.

An interesting rite is performed on Thursday afternoon, when the Cardinal Archbishop washes the feet of twelve poor persons, who are given new clothes and a substantial meal. In the evening the Miserere of Eslava is again sung in the Cathedral by a chorus of one hundred and fifty voices, accompanied by ninety instrumentalists.

During Holy Week a lamb fair is held in the Feria del Rastro. The lambs are bought and given to children, who lead them about the streets.

The Corpus Christi festivals, or La Fiesta del Santisimo Corpus, are less gorgeous than those of Semana Santa, but they are not without interest to the student of religious custom. The dancing of the Seises in the Cathedral is certainly a curious spectacle. Blanco White says that among the treasures carried in the Corpus Christi procession of his day were the tooth of St. Christopher, the arm of St. Bartholomew, the head of one of the eleven thousand virgins, a part of the body of St. Peter, a thorn from the crown of the Saviour, and a fragment of the True Cross.

Special services and pageants are also celebrated on All Saints' Day and at Christmas (La Natividad). The pilgrimages are another Andalusian custom dating from early Christian times. These romerias are of a festal character. The people resort to Rocio in Almonte on Whit Sunday, dressed in holiday garb, and riding in carriages decked with banners. Dancing, singing and feasting are the chief attractions of these semi-religious fêtes. La Consolación de Utrera is celebrated on September 8, when excursion trains are run from Seville to Utrera. In October there are romerias on each Sunday at Salteras, eight miles from the city. The festivities usually end with a display of fireworks.