It was on his sudden return after a long journey (one of many inexplicable disappearances), coming back changed somewhat, that he ate flesh for the first time, tearing the hot, red morsels with his delicate fingers in a kind of [65] wild greed. He had fled to the south from the first forbidding days of a hard winter which came at last. At the great seaport of Marseilles he had trafficked with sailors from all parts of the world, from Arabia and India, and bought their wares, exposed now for sale, to the wonder of all, at the Easter fair—richer wines and incense than had been known in Auxerre, seeds of marvellous new flowers, creatures wild and tame, new pottery painted in raw gaudy tints, the skins of animals, meats fried with unheard-of condiments. His stall formed a strange, unwonted patch of colour, found suddenly displayed in the hot morning.
The artists were more delighted than ever, and frequented his company in the little manorial habitation, deserted long since by its owners and haunted, so that the eyes of many looked evil upon it, where he had taken up his abode, attracted, in the first instance, by its rich though neglected garden, a tangle of every kind of creeping, vine-like plant. Here, surrounded in abundance by the pleasant materials of his trade, the vine-dresser as it were turned pedant and kept school for the various artists, who learned here an art supplementary to their own,—that gay magic, namely (art or trick) of his existence, till they found themselves grown into a kind of aristocracy, like veritable gens fleur-de-lisés, as they worked together for the decoration of the great church and a hundred other [66] places beside. And yet a darkness had grown upon him. The kind creature had lost something of his gentleness. Strange motiveless misdeeds had happened; and, at a loss for other causes, not the envious only would fain have traced the blame to Denys. He was making the younger world mad. Would he make himself Count of Auxerre? The lady Ariane, deserted by her former lover, had looked kindly upon him; was ready to make him son-in-law to the old count her father, old and not long for this world. The wise monk Hermes bethought him of certain old readings in which the Wine-god, whose part Denys had played so well, had his contrast, his dark or antipathetic side; was like a double creature, of two natures, difficult or impossible to harmonise. And in truth the much-prized wine of Auxerre has itself but a fugitive charm, being apt to sicken and turn gross long before the bottle is empty, however carefully sealed; as it goes indeed, at its best, by hard names, among those who grow it, such as Chainette and Migraine.
A kind of degeneration, of coarseness—the coarseness of satiety, and shapeless, battered-out appetite—with an almost savage taste for carnivorous diet, had come over the company. A rumour went abroad of certain women who had drowned, in mere wantonness, their new-born babes. A girl with child was found hanged by her own act in a dark cellar. Ah! [67] if Denys also had not felt himself mad! But when the guilt of a murder, committed with a great vine-axe far out among the vineyards, was attributed vaguely to him, he could but wonder whether it had been indeed thus, and the shadow of a fancied crime abode with him. People turned against their favourite, whose former charms must now be counted only as the fascinations of witchcraft. It was as if the wine poured out for them had soured in the cup. The golden age had indeed come back for a while:—golden was it, or gilded only, after all? and they were too sick, or at least too serious, to carry through their parts in it. The monk Hermes was whimsically reminded of that after-thought in pagan poetry, of a Wine-god who had been in hell. Denys certainly, with all his flaxen fairness about him, was manifestly a sufferer. At first he thought of departing secretly to some other place. Alas! his wits were too far gone for certainty of success in the attempt. He feared to be brought back a prisoner. Those fat years were over. It was a time of scarcity. The working people might not eat and drink of the good things they had helped to store away. Tears rose in the eyes of needy children, of old or weak people like children, as they woke up again and again to sunless, frost-bound, ruinous mornings; and the little hungry creatures went prowling after scattered hedge-nuts or dried vine-tendrils.
[68] Mysterious, dark rains prevailed throughout the summer. The great offices of Saint John were fumbled through in a sudden darkness of unseasonable storm, which greatly damaged the carved ornaments of the church, the bishop reading his mid-day Mass by the light of the little candle at his book. And then, one night, the night which seemed literally to have swallowed up the shortest day in the year, a plot was contrived by certain persons to take Denys as he went and kill him privately for a sorcerer. He could hardly tell how he escaped, and found himself safe in his earliest home, the cottage in the cliff-side, with such a big fire as he delighted in burning upon the hearth. They made a little feast as well as they could for the beautiful hunted creature, with abundance of waxlights.
And at last the clergy bethought themselves of a remedy for this evil time. The body of one of the patron saints had lain neglected somewhere under the flagstones of the sanctuary. This must be piously exhumed, and provided with a shrine worthy of it. The goldsmiths, the jewellers and lapidaries, set diligently to work, and no long time after, the shrine, like a little cathedral with portals and tower complete, stood ready, its chiselled gold framing panels of rock crystal, on the great altar. Many bishops arrived, with King Lewis the Saint himself accompanied by his mother, to assist at the search for and disinterment of the sacred relics. In [69] their presence, the Bishop of Auxerre, with vestments of deep red in honour of the relics, blessed the new shrine, according to the office De benedictione capsarum pro reliquiis. The pavement of the choir, removed amid a surging sea of lugubrious chants, all persons fasting, discovered as if it had been a battlefield of mouldering human remains. Their odour rose plainly above the plentiful clouds of incense, such as was used in the king's private chapel. The search for the Saint himself continued in vain all day and far into the night. At last from a little narrow chest, into which the remains had been almost crushed together, the bishop's red-gloved hands drew the dwindled body, shrunken inconceivably, but still with every feature of the face traceable in a sudden oblique ray of ghastly dawn.
That shocking sight, after a sharp fit as though a demon were going out of him, as he rolled on the turf of the cloister to which he had fled alone from the suffocating church, where the crowd still awaited the Procession of the relics and the Mass De reliquiis quae continentur in Ecclesiis, seemed indeed to have cured the madness of Denys, but certainly did not restore his gaiety. He was left a subdued, silent, melancholy creature. Turning now, with an odd revulsion of feeling, to gloomy objects, he picked out a ghastly shred from the common bones on the pavement to wear about his neck, and in a little while found his way to the monks [70] of Saint Germain, who gladly received him into their workshop, though secretly, in fear of his foes.
The busy tribe of variously gifted artists, labouring rapidly at the many works on hand for the final embellishment of the cathedral of St. Étienne, made those conventual buildings just then cheerful enough to lighten a melancholy, heavy even as that of our friend Denys. He took his place among the workmen, a conventual novice; a novice also as to whatever concerns any actual handicraft. He could but compound sweet incense for the sanctuary. And yet, again by merely visible presence, he made himself felt in all the varied exercise around him of those arts which address themselves first of all to sight. Unconsciously he defined a peculiar manner, alike of feeling and expression, to those skilful hands at work day by day with the chisel, the pencil, or the needle, in many an enduring form of exquisite fancy. In three successive phases or fashions might be traced, especially in the carved work, the humours he had determined. There was first wild gaiety, exuberant in a wreathing of life-like imageries, from which nothing really present in nature was excluded. That, as the soul of Denys darkened, had passed into obscure regions of the satiric, the grotesque and coarse. But from this time there was manifest, with no loss of power or effect, a well-assured seriousness, somewhat [71] jealous and exclusive, not so much in the selection of the material on which the arts were to work, as in the precise sort of expression that should be induced upon it. It was as if the gay old pagan world had been blessed in some way; with effects to be seen most clearly in the rich miniature work of the manuscripts of the capitular library,—a marvellous Ovid especially, upon the pages of which those old loves and sorrows seemed to come to life again in medieval costume, as Denys, in cowl now and with tonsured head, leaned over the painter, and led his work, by a kind of visible sympathy, often unspoken, rather than by any formal comment.
Above all, there was a desire abroad to attain the instruments of a freer and more various sacred music than had been in use hitherto—a music that might express the whole compass of souls now grown to manhood. Auxerre, indeed, then as afterwards, was famous for its liturgical music. It was Denys, at last, to whom the thought occurred of combining in a fuller tide of music all the instruments then in use. Like the Wine-god of old, he had been a lover and patron especially of the music of the pipe, in all its varieties. Here, too, there had been evident those three fashions or "modes":—first, the simple and pastoral, the homely note of the pipe, like the piping of the wind itself from off the distant fields; then, the wild, savage din, that had cost so much to quiet people, and [72] driven excitable people mad. Now he would compose all this to sweeter purposes; and the building of the first organ became like the book of his life: it expanded to the full compass of his nature, in its sorrow and delight. In long, enjoyable days of wind and sun by the river-side, the seemingly half-witted "brother" sought and found the needful varieties of reed. The carpenters, under his instruction, set up the great wooden passages for the thunder; while the little pipes of pasteboard simulated the sound of the human voice singing to the victorious notes of the long metal trumpets. At times this also, as people heard night after night those wandering sounds, seemed like the work of a madman, though they awoke sometimes in wonder at snatches of a new, an unmistakable new music. It was the triumph of all the various modes of the power of the pipe, tamed, ruled, united. Only, on the painted shutters of the organ-case Apollo with his lyre in his hand, as lord of the strings, seemed to look askance on the music of the reed, in all the jealousy with which he put Marsyas to death so cruelly.
Meantime, the people, even his enemies, seemed to have forgotten him. Enemies, in truth, they still were, ready to take his life should the opportunity come; as he perceived when at last he ventured forth on a day of public ceremony. The bishop was to pronounce a blessing upon the foundations of a new bridge, [73] designed to take the place of the ancient Roman bridge which, repaired in a thousand places, had hitherto served for the chief passage of the Yonne. It was as if the disturbing of that time-worn masonry let out the dark spectres of departed times. Deep down, at the core of the central pile, a painful object was exposed—the skeleton of a child, placed there alive, it was rightly surmised, in the superstitious belief that, by way of vicarious substitution, its death would secure the safety of all who should pass over.
There were some who found themselves, with a little surprise, looking round as if for a similar pledge of security in their new undertaking. It was just then that Denys was seen plainly, standing, in all essential features precisely as of old, upon one of the great stones prepared for the foundation of the new building. For a moment he felt the eyes of the people upon him full of that strange humour, and with characteristic alertness, after a rapid gaze over the grey city in its broad green framework of vineyards, best seen from this spot, flung himself down into the water and disappeared from view where the stream flowed most swiftly below a row of flour-mills. Some indeed fancied they had seen him emerge again safely on the deck of one of the great boats, loaded with grapes and wreathed triumphantly with flowers like a floating garden, which were then bringing down the vintage from the country; but generally the people [74] believed their strange enemy now at last departed for ever. Denys in truth was at work again in peace at the cloister, upon his house of reeds and pipes. At times his fits came upon him again; and when they came, for his cure he would dig eagerly, turned sexton now, digging, by choice, graves for the dead in the various churchyards of the town. There were those who had seen him thus employed (that form seeming still to carry something of real sun-gold upon it) peering into the darkness, while his tears fell sometimes among the grim relics his mattock had disturbed.