And the proper action of the rite itself, like a half-opened book to be read by the duly initiated mind took up those suggestions, and carried them forward into the present, as having reference to a power still efficacious, still after some mystic sense even now in action among the people there assembled. The entire office, indeed, with its interchange of lessons, hymns, prayer, silence, was itself like a single piece of highly composite, dramatic music; a “song of degrees,” rising steadily to a climax. Notwithstanding the absence of any central image visible to the eye, the entire ceremonial process, like the place in which it was enacted, was weighty with symbolic significance, seemed to express a single leading motive. The mystery, if such in fact it was, centered indeed in the actions of one visible person, distinguished among the assistants, who stood ranged in semicircle around him, by the extreme fineness of his white vestments, and the pointed cap with the golden ornaments upon his head.
Nor had Marius ever seen the pontifical character, as he conceived it—sicut unguentum in capite, descendens in oram vestimenti—so fully realised, as in the expression, the manner and voice, of this novel pontiff, as he took his seat on the white chair placed for him by the young men, and received his long staff into his hand, or moved his hands—hands which seemed endowed in very deed with some mysterious power—at the Lavabo, or at the various benedictions, or to bless certain objects on the table before him, chanting in cadence of a grave sweetness the leading parts of the rite. What profound unction and mysticity! The solemn character of the singing was at its height when he opened his lips. Like some new sort of rhapsôdos, it was for the moment as if he alone possessed the words of the office, and they flowed anew from some permanent source of inspiration within him. The table or altar at which he presided, below a canopy on delicate spiral columns, was in fact the tomb of a youthful “witness,” of the family of the Cecilii, who had shed his blood not many years before, and whose relics were still in this place. It was for his sake the bishop put his lips so often to the surface before him; the regretful memory of that death entwining itself, though not without certain notes of triumph, as a matter of special inward significance, throughout a service, which was, before all else, from first to last, a commemoration of the dead.
A sacrifice also,—a sacrifice, it might seem, like the most primitive, the most natural and enduringly significant of old pagan sacrifices, of the simplest fruits of the earth. And in connexion with this circumstance again, as in the actual stones of the building so in the rite itself, what Marius observed was not so much new matter as a new spirit, moulding, informing, with a new intention, many observances not witnessed for the first time to-day. Men and women came to the altar successively, in perfect order, and deposited below the lattice-work of pierced white marble, their baskets of wheat and grapes, incense, oil for the sanctuary lamps; bread and wine especially—pure wheaten bread, the pure white wine of the Tusculan vineyards. There was here a veritable consecration, hopeful and animating, of the earth’s gifts, of old dead and dark matter itself, now in some way redeemed at last, of all that we can touch or see, in the midst of a jaded world that had lost the true sense of such things, and in strong contrast to the wise emperor’s renunciant and impassive attitude towards them. Certain portions of that bread and wine were taken into the bishop’s hands; and thereafter, with an increasing mysticity and effusion the rite proceeded. Still in a strain of inspired supplication, the antiphonal singing developed, from this point, into a kind of dialogue between the chief minister and the whole assisting company—
SURSUM CORDA!
HABEMUS AD DOMINUM.
GRATIAS AGAMUS DOMINO DEO NOSTRO!—
It might have been thought the business, the duty or service of young men more particularly, as they stood there in long ranks, and in severe and simple vesture of the purest white—a service in which they would seem to be flying for refuge, as with their precious, their treacherous and critical youth in their hands, to one—Yes! one like themselves, who yet claimed their worship, a worship, above all, in the way of Aurelius, in the way of imitation. Adoramus te Christe, quia per crucem tuam redemisti mundum!—they cry together. So deep is the emotion that at moments it seems to Marius as if some there present apprehend that prayer prevails, that the very object of this pathetic crying himself draws near. From the first there had been the sense, an increasing assurance, of one coming:—actually with them now, according to the oft-repeated affirmation or petition, Dominus vobiscum! Some at least were quite sure of it; and the confidence of this remnant fired the hearts, and gave meaning to the bold, ecstatic worship, of all the rest about them.
Prompted especially by the suggestions of that mysterious old Jewish psalmody, so new to him—lesson and hymn—and catching therewith a portion of the enthusiasm of those beside him, Marius could discern dimly, behind the solemn recitation which now followed, at once a narrative and a prayer, the most touching image truly that had ever come within the scope of his mental or physical gaze. It was the image of a young man giving up voluntarily, one by one, for the greatest of ends, the greatest gifts; actually parting with himself, above all, with the serenity, the divine serenity, of his own soul; yet from the midst of his desolation crying out upon the greatness of his success, as if foreseeing this very worship.* As centre of the supposed facts which for these people were become so constraining a motive of hopefulness, of activity, that image seemed to display itself with an overwhelming claim on human gratitude. What Saint Lewis of France discerned, and found so irresistibly touching, across the dimness of many centuries, as a painful thing done for love of him by one he had never seen, was to them almost as a thing of yesterday; and their hearts were whole with it. It had the force, among their interests, of an almost recent event in the career of one whom their fathers’ fathers might have known. From memories so sublime, yet so close at hand, had the narrative descended in which these acts of worship centered; though again the names of some more recently dead were mingled in it. And it seemed as if the very dead were aware; to be stirring beneath the slabs of the sepulchres which lay so near, that they might associate themselves to this enthusiasm—to this exalted worship of Jesus.
* Psalm xxii. 22-31.
One by one, at last, the faithful approach to receive from the chief minister morsels of the great, white, wheaten cake, he had taken into his hands—Perducat vos ad vitam aeternam! he prays, half-silently, as they depart again, after discreet embraces. The Eucharist of those early days was, even more entirely than at any later or happier time, an act of thanksgiving; and while the remnants of the feast are borne away for the reception of the sick, the sustained gladness of the rite reaches its highest point in the singing of a hymn: a hymn like the spontaneous product of two opposed militant companies, contending accordantly together, heightening, accumulating, their witness, provoking one another’s worship, in a kind of sacred rivalry.
Ite! Missa est!—cried the young deacons: and Marius departed from that strange scene along with the rest. What was it?—Was it this made the way of Cornelius so pleasant through the world? As for Marius himself,—the natural soul of worship in him had at last been satisfied as never before. He felt, as he left that place, that he must hereafter experience often a longing memory, a kind of thirst, for all this, over again. And it seemed moreover to define what he must require of the powers, whatsoever they might be, that had brought him into the world at all, to make him not unhappy in it.