Penguin Persons & Peppermints

by Walter Prichard Eaton

A scarf of Oriental silk veiled the light of the single lamp, set low on his desk, and the fire had its own way with the illumination. It sent dancing shadows over the olive walls, it made points of light of the picture-frames and a glowing coal of the polished coffee-urn in the corner; it pointed pleasantly out the numberless books, but told nothing of their contents; it made dark the spaces where the alcoves were, but suffused the little radius of the hearth that was bounded by an easy chair and a pipe-stand with a glow and warmth and comfort which were irresistible. The Man Above the Square came quickly into this charmed radius and sank again into the chair. “And some people insist on steam heat!” he said.

Then he looked into the rosy pit of wallowing, good-natured flames, and fancied he was meditating. But in reality he was going to sleep. When he woke up the fire was out and he was cramped and cold. He stumbled to a corner, turned on the steam in a radiator, that the room might be warm in the morning, and returned to his chamber.

“After all, you have to build a fire; but the steam just comes,” he growled, as he crawled sleepily into bed.

Toward morning the steam did come, but some hours before he was ready to rise. It came at intervals, forcing the water up ahead and thumping it against the top of the radiator with the force of a trip-hammer and the noise of a cannon. The Man Above the Square woke up and cursed. The intervals between thumps he employed in wondering how soon the next report would come, which effectively prevented his going to sleep again. Presently the thumping ceased, and he dozed off, to awake later in ugly temper. He went out into the sitting room and found it cold as an ice-box.

“Where in blazes is all that steam which woke me up at daylight?” he shouted down the speaking-tube to the janitor. The answer, as usual, admitted of no reply, even as it offered no satisfactory explanation. He dug into the wood-box and on the heap of feathery white ashes which topped the pile in the fireplace like snow—“the fall of last night” he called it—he laid a fire of pine and maple. In three minutes he was toasting his toes in front of the blaze, and good nature was spreading up his person like the tide up a bay.

“Modern conveniences would be all right,” he chuckled, looking from the merry fire to the ugly radiator, “if they were ever convenient!”

Then he swung Indian clubs for a quarter of an hour, jumped into a cold plunge, and went rosy to his breakfast and the day's work, with the cheeriness of the fire in his heart.

But while he was gone there entered the chambermaid, and sad desecration was wrought. Chambermaids are another modern inconvenience. The Pilgrim Fathers got along without chambermaids; and even at a much later period chambermaids worked at least under the supervision of a mistress of the household. But nowadays they have their own way, even in abodes where there is one who could be a mistress if she would, or time from social duties and the improvement of her mind permitted. Of course, in the abode of a bachelor the chambermaid is supreme, for bachelors, at least in New York, have of necessity to live in apartments, not private boarding houses presided over by a careful mistress. Probably most of them prefer to; but that does not prove progress, none the less. But the Man Above the Square was not of this class. He had a sharp elbow bone, in the first place, which is to signify that he was a “good house-keeper,” as they say in New England. And in the second place, he knew the value to the æsthetic and moral sense of personality in living rooms, of an orderly, tasteful arrangement of inanimate objects, carpets, pictures, furniture, which, through weeks of comparative changelessness, takes on the human aspect of a friend and silently welcomes you when you return at night, saying comfortably, “I am here, as you left me; I am home.”

So when he entered his room again that evening and turned up the gas, his immediate utterance was not strictly the subject for reproduction. To begin with, the chambermaid had, in disobedience to his strict orders, taken up the centre rug and sent it up on the roof for the porter to beat. Being an expensive rug, the Man Above the Square did not particularly relish having it frequently beaten. But still less did he relish the way it had been replaced. It was not in the centre of the room, so that two legs of the library desk in the middle stood on the border and two on the diamond centre. One end was too near the piano, the other consequently too far from the hearth. And in trying to tug it into position the maid had managed to pull every edge out of plumb with the lines of the floor. Of course, the photographs on the piano had smooches on the margins, where the maid's thumb had pressed as she held them up to dust beneath. Pudd'n-Head Wilson would alone have prized them in their present state. On the mantel each object was just far enough out of its proper place to throw the whole decorative scheme into a line of Puritanic primness. And the chairs, silent friends that are so companionable when an understanding hand places them in position, were now facing at stiff angles of armed neutrality, as if mutually suspicious. Not one of them said, “Sit in me.”

But the worst was yet to come. Walking over to the fireplace, the Man Above the Square looked in and groaned.