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IONIAN
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The Dorian mode, at the outset, is identical with our modern minor scale; its peculiarity lies in the semitone between the 6th and 7th degrees and the whole tone between the 7th and 8th. An excellent example of a modern adaptation of this mode may be found in Guilmant's March for organ (see Supplement, Example No. 7). The mysterious opening measures of Debussy's opera Pelléas et Mélisande also owe their atmosphere to this mode, e.g.
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The Phrygian mode is one of the most individual to our modern ears with its first step a semitone and with the whole tone between the 7th and 8th degrees. Under the influence of harmonic development there was worked out a cadence, known as Phrygian, which is often found in modern music, e.g.
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