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Augmentation is very frequent in modern literature when a composer, by lengthening out the phraseology of a theme, wishes to gain for it additional emphasis. Excellent examples are the closing measures of Schumann's Arabesque, in which the reminiscence of the original motto is most haunting, e.g.,
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the Finale of Liszt's Faust Symphony, where the love theme of the Gretchen movement is carried over and intoned by a solo baritone with impressive effect, e.g.
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