have referred them to Titus.(1) It is evident that whether the [———] sections be by the unknown author of the rest of the Acts, or be part of a diary by some unknown companion of Paul, introduced into the work by the general editor, they do not solve the problem as to the identity of the author, who remains absolutely unknown. We have said enough to enable the reader to understand the nature of the problem regarding the author of the third Synoptic and of the Acts of the Apostles, and whilst for our purpose much less would have sufficed, it is evident that the materials do not exist for identifying him. The stupendous miracles related in these two works, therefore, rest upon the evidence of an unknown writer, who from internal evidence must have composed them very long after the events recorded. Externally, there is no proof even of the existence of the Acts until towards the end of the second century, when also for the first time we hear of a vague theory as to the name and identity of the supposed author, a theory which declares Luke not to have himself been an eye-witness of the occurrences related in the Gospel, and which reduces his participation even in the events narrated in the Acts to a very small and modest compass, leaving the great mass of the miracles described in the work without even his personal attestation. The theory, however, we have seen to be not only unsupported by evidence, but to be contradicted by many potent circumstances. We propose now, without exhaustively examining the contents of the Acts, which would itself require a separate treatise, at least to
consider some of its main points sufficiently to form a fair judgment of the historical value of the work, although the facts which we have already ascertained are clearly fatal to the document as adequate testimony for miracles, and the reality of Divine Revelation.
CHAPTER III. DESIGN AND COMPOSITION
The historical value of the Acts of the Apostles has very long been the subject of vehement discussion, and the course of the controversy has certainly not been favourable to the position of the work. For a considerable time the traditional view continued to prevail, and little or no doubt of the absolute credibility of the narrative was ever expressed. When the spirit of independent and enlightened criticism was finally aroused, it had to contend with opinions which habit had rendered stereotype, and prejudices which took the form of hereditary belief. A large body of eminent critics, after an exhaustive investigation of the Acts, have now declared that the work is not historically accurate, and cannot be accepted as a true account of the Acts and teaching of the Apostles.(1)
The Author of the Acts has been charged with having written the work with a distinct design to which he subordinated historical truth, and in this view many critics have joined, who ultimately do not accuse him absolutely of falsifying history, but merely of making a deliberate selection of his materials with the view of placing events in the light most suitable for his purpose. Most of those, however, who make this charge maintain that, in carrying out the original purpose of the Acts, the writer so freely manipulated whatever materials he had before him, and so dealt with facts whether by omission, transformation or invention, that the historical value of his narrative has been destroyed or at least seriously affected by it.1 On the other hand, many apologetic writers altogether deny the existence of any design on the part of the