The songstress paused, and was answered by one or two deep and hollow groans, that seemed to proceed from the very agony of the mortal strife. ‘It will not be,’ she muttered to herself; ‘he cannot pass away with that on his mind, it tethers him here--
Heaven cannot abide it,
Earth refuses to hide it.[Footnote: See Note 6.]
Heaven cannot abide it,
Earth refuses to hide it.[Footnote: See Note 6.]
Heaven cannot abide it,
Earth refuses to hide it.[Footnote: See Note 6.]
I must open the door’; and, rising, she faced towards the door of the apartment, observing heedfully not to turn back her head, and, withdrawing a bolt or two (for, notwithstanding the miserable appearance of the place, the door was cautiously secured), she lifted the latch, saying,
Open lock, end strife, Come death, and pass life.
Open lock, end strife, Come death, and pass life.
Open lock, end strife, Come death, and pass life.
Brown, who had by this time moved from his post, stood before her as she opened the door. She stepped back a pace, and he entered, instantly recognising, but with no comfortable sensation, the same gipsy woman whom he had met in Bewcastle. She also knew him at once, and her attitude, figure, and the anxiety of her countenance, assumed the appearance of the well-disposed ogress of a fairy tale, warning a stranger not to enter the dangerous castle of her husband. The first words she spoke (holding up her hands in a reproving manner) were, ‘Said I not to ye, Make not, meddle not? Beware of the redding straik! [Footnote: The redding straik, namely, a blow received by a peacemaker who interferes betwixt two combatants, to red or separate them, is proverbially said to be the most dangerous blow a man can receive.] You are come to no house o’ fair-strae death.’ So saying, she raised the lamp and turned its light on the dying man, whose rude and harsh features were now convulsed with the last agony. A roll of linen about his head was stained with blood, which had soaked also through the blankets and the straw. It was, indeed, under no natural disease that the wretch was suffering. Brown started back from this horrible object, and, turning to the gipsy, exclaimed, ‘Wretched woman, who has done this?’
‘They that were permitted,’ answered Meg Merrilies, while she scanned with a close and keen glance the features of the expiring man. ‘He has had a sair struggle; but it’s passing. I kenn’d he would pass when you came in. That was the death-ruckle; he’s dead.’