The mirth and fun grew fast and furious,

The mirth and fun grew fast and furious,

and, mounting his horse accordingly, he took a French leave of his entertainers, but without experiencing the least breach of hospitality. I believe Jean Gordon was at this festival.‘[Footnote: Blackwood’s Magazine, vol. I, p. 54]

Notwithstanding the failure of Jean’s issue, for which

Weary fa’ the waefu’ wuddie,

Weary fa’ the waefu’ wuddie,

a granddaughter survived her, whom I remember to have seen. That is, as Dr. Johnson had a shadowy recollection of Queen Anne as a stately lady in black, adorned with diamonds, so my memory is haunted by a solemn remembrance of a woman of more than female height, dressed in a long red cloak, who commenced acquaintance by giving me an apple, but whom, nevertheless, I looked on with as much awe as the future Doctor, High Church and Tory as he was doomed to be, could look upon the Queen. I conceive this woman to have been Madge Gordon, of whom an impressive account is given in the same article in which her mother Jean is mentioned, but not by the present writer:--

‘The late Madge Gordon was at this time accounted the Queen of the Yetholm clans. She was, we believe, a granddaughter of the celebrated Jean Gordon, and was said to have much resembled her in appearance. The following account of her is extracted from the letter of a friend, who for many years enjoyed frequent and favourable opportunities of observing the characteristic peculiarities of the Yetholm tribes:--“Madge Gordon was descended from the Faas by the mother’s side, and was married to a Young. She was a remarkable personage--of a very commanding presence and high stature, being nearly six feet high. She had a large aquiline nose, penetrating eyes, even in her old age, bushy hair, that hung around her shoulders from beneath a gipsy bonnet of straw, a short cloak of a peculiar fashion, and a long staff nearly as tall as herself. I remember her well; every week she paid my father a visit for her awmous when I was a little boy, and I looked upon Madge with no common degree of awe and terror. When she spoke vehemently (for she made loud complaints) she used to strike her staff upon the floor and throw herself into an attitude which it was impossible to regard with indifference. She used to say that she could bring from the remotest parts of the island friends to revenge her quarrel while she sat motionless in her cottage; and she frequently boasted that there was a time when she was of still more considerable importance, for there were at her wedding fifty saddled asses, and unsaddled asses without number. If Jean Gordon was the prototype of the CHARACTER of Meg Merrilies, I imagine Madge must have sat to the unknown author as the representative of her PERSON.”’[Footnote: Blackwood’s Magazine, vol. I, p. 56.]

How far Blackwood’s ingenious correspondent was right, how far mistaken, in his conjecture the reader has been informed.

To pass to a character of a very different description, Dominie Sampson,--the reader may easily suppose that a poor modest humble scholar who has won his way through the classics, yet has fallen to leeward in the voyage of life, is no uncommon personage in a country where a certain portion of learning is easily attained by those who are willing to suffer hunger and thirst in exchange for acquiring Greek and Latin. But there is a far more exact prototype of the worthy Dominie, upon which is founded the part which he performs in the romance, and which, for certain particular reasons, must be expressed very generally.