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[ “Apparition Evidence.”]
So deep was the impression made by the story on the inhabitants of Mynehead, that it is said the tradition of Mrs. Leckie still remains in that port, and that mariners belonging to it often, amid tempestuous weather, conceive they hear the whistle-call of the implacable hag who was the source of so much mischief to her own family. However, already too desultory and too long, it would become intolerably tedious were I to insist farther on the peculiar sort of genius by which stories of this kind may be embodied and prolonged.
I may, however, add, that the charm of the tale depends much upon the age of the person to whom it is addressed; and that the vivacity of fancy which engages us in youth to pass over much that is absurd, in order to enjoy some single trait of imagination, dies within us when we obtain the age of manhood, and the sadder and graver regions which lie beyond it. I am the more conscious of this, because I have been myself at two periods of my life, distant from each other, engaged in scenes favourable to that degree of superstitious awe which my countrymen expressively call being eerie.
On the first of these occasions I was only ninteeen or twenty years old, when I happened to pass a night in the magnificent old baronial castle of Glammis, the hereditary seat of the Earls of Strathmore. The hoary pile contains much in its appearance, and in the traditions connected with it, impressive to the imagination. It was the scene of the murder of a Scottish king of great antiquity; not indeed the gracious Duncan, with whom the name naturally associates itself, but Malcolm the Second. It contains also a curious monument of the peril of feudal times, being a secret chamber, the entrance of which, by the law or custom of the family, must only be known to three persons at once, viz., the Earl of Strathmore, his heir apparent, and any third person whom they may take into their confidence. The extreme antiquity of the building is vouched by the immense thickness of the walls, and the wild and straggling arrangement of the accommodation within doors. As the late Earl of Strathmore seldom resided in that ancient mansion, it was, when I was there, but half-furnished, and that with movables of great antiquity, which, with the pieces of chivalric armour hanging upon the walls, greatly contributed to the general effect of the whole. After a very hospitable reception from the late Peter Proctor, Esq., then seneschal of the castle, in Lord Strathmore’s absence, I was conducted to my apartment in a distant corner of the building. I must own, that as I heard door after door shut, after my conductor had retired, I began to consider myself too far from the living and somewhat too near the dead. We had passed through what is called “The King’s Room,” a vaulted apartment, garnished with stags’ antlers and similar trophies of the chase, and said by tradition to be the spot of Malcolm’s murder, and I had an idea of the vicinity of the castle chapel.
In spite of the truth of history, the whole night-scene in Macbeth’s castle rushed at once upon my mind, and struck my imagination more forcibly than even when I have seen its terrors represented by the late John Kemble and his inimitable sister. In a word, I experienced sensations which, though not remarkable either for timidity or superstition, did not fail to affect me to the point of being disagreeable, while they were mingled at the same time with a strange and indescribable kind of pleasure, the recollection of which affords me gratification at this moment.
In the year 1814 accident placed me, then past middle life, in a situation somewhat similar to that which I have described.
I had been on a pleasure voyage with some friends around the north coast of Scotland, and in that course had arrived in the salt-water lake under the castle of Dunvegan, whose turrets, situated upon a frowning rock, rise immediately above the waves of the loch. As most of the party, and I myself in particular, chanced to be well known to the Laird of Macleod, we were welcomed to the castle with Highland hospitality, and glad to find ourselves in polished society, after a cruise of some duration. The most modern part of the castle was founded in the days of James VI.; the more ancient is referred to a period “whose birth tradition notes not.” Until the present Macleod connected by a drawbridge the site of the castle with the mainland of Skye, the access must have been extremely difficult. Indeed, so much greater was the regard paid to security than to convenience, that in former times the only access to the mansion arose through a vaulted cavern in a rock, up which a staircase ascended from the sea-shore, like the buildings we read of in the romances of Mrs. Radcliffe.
Such a castle, in the extremity of the Highlands, was of course furnished with many a tale of tradition, and many a superstitious legend, to fill occasional intervals in the music and song, as proper to the halls of Dunvegan as when Johnson commemorated them. We reviewed the arms and ancient valuables of this distinguished family—saw the dirk and broadsword of Rorie Mhor, and his horn, which would drench three chiefs of these degenerate days. The solemn drinking-cup of the Kings of Man must not be forgotten, nor the fairy banner given to Macleod by the Queen of Fairies; that magic flag which has been victorious in two pitched fields, and will still float in the third, the bloodiest and the last, when the Elfin Sovereign shall, after the fight is ended, recall her banner, and carry off the standard-bearer.