“Thus began my fortune,” continued Morton; “and my services have, on various occasions, been distinguished by his Royal Highness, until the moment that brought him to Britain as our political deliverer. His commands must excuse my silence to my few friends in Scotland; and I wonder not at the report of my death, considering the wreck of the vessel, and that I found no occasion to use the letters of exchange with which I was furnished by the liberality of some of them,—a circumstance which must have confirmed the belief that I had perished.”
“But, dear hinny,” asked Mrs. Wilson, “did ye find nae Scotch body at the Prince of Oranger’s court that kend ye? I wad hae thought Morton o’ Milnwood was kend a’ through the country.”
“I was purposely engaged in distant service,” said Morton, “until a period when few, without as deep and kind a motive of interest as yours, Ailie, would have known the stripling Morton in Major-General Melville.”
“Malville was your mother’s name,” said Mrs. Wilson; “but Morton sounds far bonnier in my auld lugs. And when ye tak up the lairdship, ye maun tak the auld name and designation again.”
“I am like to be in no haste to do either the one or the other, Ailie, for I have some reasons for the present to conceal my being alive from every one but you; and as for the lairdship of Milnwood, it is in as good hands.”
“As gude hands, hinny!” re-echoed Ailie; “I’m hopefu’ ye are no meaning mine? The rents and the lands are but a sair fash to me. And I’m ower failed to tak a helpmate, though Wylie Mactrickit the writer was very pressing, and spak very civilly; but I’m ower auld a cat to draw that strae before me. He canna whilliwhaw me as he’s dune mony a ane. And then I thought aye ye wad come back, and I wad get my pickle meal and my soup milk, and keep a’ things right about ye as I used to do in your puir uncle’s time, and it wad be just pleasure eneugh for me to see ye thrive and guide the gear canny. Ye’ll hae learned that in Holland, I’se warrant, for they’re thrifty folk there, as I hear tell.—But ye’ll be for keeping rather a mair house than puir auld Milnwood that’s gave; and, indeed, I would approve o’ your eating butchermeat maybe as aften as three times a-week,—it keeps the wind out o’ the stamack.”
“We will talk of all this another time,” said Morton, surprised at the generosity upon a large scale which mingled in Ailie’s thoughts and actions with habitual and sordid parsimony, and at the odd contrast between her love of saving and indifference to self-acquisition. “You must know,” he continued, “that I am in this country only for a few days on some special business of importance to the Government, and therefore, Ailie, not a word of having seen me. At some other time I will acquaint you fully with my motives and intentions.”
“E’en be it sae, my jo,” replied Ailie, “I can keep a secret like my neighbours; and weel auld Milnwood kend it, honest man, for he tauld me where he keepit his gear, and that’s what maist folk like to hae as private as possibly may be.—But come awa wi’ me, hinny, till I show ye the oak-parlour how grandly it’s keepit, just as if ye had been expected haine every day,—I loot naebody sort it but my ain hands. It was a kind o’ divertisement to me, though whiles the tear wan into my ee, and I said to mysell, What needs I fash wi’ grates and carpets and cushions and the muckle brass candlesticks ony mair? for they’ll ne’er come hame that aught it rightfully.”
With these words she hauled him away to this sanctum sanctorum, the scrubbing and cleaning whereof was her daily employment, as its high state of good order constituted the very pride of her heart. Morton, as he followed her into the room, underwent a rebuke for not “dighting his shune,” which showed that Ailie had not relinquished her habits of authority. On entering the oak-parlour he could not but recollect the feelings of solemn awe with which, when a boy, he had been affected at his occasional and rare admission to an apartment which he then supposed had not its equal save in the halls of princes. It may be readily supposed that the worked-worsted chairs, with their short ebony legs and long upright backs, had lost much of their influence over his mind; that the large brass andirons seemed diminished in splendour; that the green worsted tapestry appeared no masterpiece of the Arras loom; and that the room looked, on the whole, dark, gloomy, and disconsolate. Yet there were two objects, “The counterfeit presentment of two brothers,” which, dissimilar as those described by Hamlet, affected his mind with a variety of sensations. One full-length portrait represented his father in complete armour, with a countenance indicating his masculine and determined character; and the other set forth his uncle, in velvet and brocade, looking as if he were ashamed of his own finery, though entirely indebted for it to the liberality of the painter.
“It was an idle fancy,” Ailie said, “to dress the honest auld man in thae expensive fal-lalls that he ne’er wore in his life, instead o’ his douce Raploch grey, and his band wi’ the narrow edging.”