"Mine honest friend," replied Diana, "do not, if you will be guided by my advice, bait your hook with too much humility; for, ten to one, it will not catch a single compliment. You know I belong to the unpopular family of Tell-truths, and would not flatter Apollo for his lyre."
She proceeded to read the first stanza, which was nearly to the following purpose:—
"Ladies, and knights, and arms, and love's fair flame,
Deeds of emprize and courtesy, I sing;
What time the Moors from sultry Africk came,
Led on by Agramant, their youthful king—
He whom revenge and hasty ire did bring
O'er the broad wave, in France to waste and war;
Such ills from old Trojano's death did spring,
Which to avenge he came from realms afar,
And menaced Christian Charles, the Roman Emperor.
Of dauntless Roland, too, my strain shall sound,
In import never known in prose or rhyme,
How He, the chief, of judgment deemed profound,
For luckless love was crazed upon a time"—
"There is a great deal of it," said she, glancing along the paper, and interrupting the sweetest sounds which mortal ears can drink in,—those of a youthful poet's verses, namely, read by the lips which are dearest to him.
"Much more than ought to engage your attention, Miss Vernon," I replied, something mortified; and I took the verses from her unreluctant hand— "And yet," I continued, "shut up as I am in this retired situation, I have felt sometimes I could not amuse myself better than by carrying on—merely for my own amusement, you will of course understand—the version of this fascinating author, which I began some months since when I was on the banks of the Garonne."
"The question would only be," said Diana, gravely, "whether you could not spend your time to better purpose?"
"You mean in original composition?" said I, greatly flattered—"But, to say truth, my genius rather lies in finding words and rhymes than ideas; and therefore I am happy to use those which Ariosto has prepared to my hand. However, Miss Vernon, with the encouragement you give"—
"Pardon me, Frank—it is encouragement not of my giving, but of your taking. I meant neither original composition nor translation, since I think you might employ your time to far better purpose than in either. You are mortified," she continued, "and I am sorry to be the cause."
"Not mortified,—certainly not mortified," said I, with the best grace I could muster, and it was but indifferently assumed; "I am too much obliged by the interest you take in me."
"Nay, but," resumed the relentless Diana, "there is both mortification and a little grain of anger in that constrained tone of voice; do not be angry if I probe your feelings to the bottom—perhaps what I am about to say will affect them still more."