King Lear.

There was a wild uncertainty about Mowbray's ideas, after he started from a feverish sleep on the morning succeeding this memorable interview, that his sister, whom he really loved as much as he was capable of loving any thing, had dishonoured him and her name; and the horrid recollection of their last interview was the first idea which his waking imagination was thrilled with. Then came Touchwood's tale of exculpation—and he persuaded himself, or strove to do so, that Clara must have understood the charge he had brought against her as referring to her attachment to Tyrrel, and its fatal consequences. Again, still he doubted how that could be—still feared that there must be more behind than her reluctance to confess the fraud which had been practised on her by Bulmer; and then, again, he strengthened himself in the first and more pleasing opinion, by recollecting that, averse as she was to espouse the person he proposed to her, it must have appeared to her the completion of ruin, if he, Mowbray, should obtain knowledge of the clandestine marriage.

“Yes—O yes,” he said to himself, “she would think that this story would render me more eager in the rascal's interest, as the best way of hushing up such a discreditable affair—faith, and she would have judged right too; for, had he actually been Lord Etherington, I do not see what else she could have done. But, not being Lord Etherington, and an anointed scoundrel into the bargain, I will content myself with cudgelling him to death so soon as I can get out of the guardianship of this old, meddling, obstinate, self-willed, busybody.—Then, what is to be done for Clara?—This mock marriage was a mere bubble, and both parties must draw stakes. She likes this grave Don, who proves to be the stick of the right tree, after all—so do not I, though there be something lordlike about him. I was sure a strolling painter could not have carried it off so. She may marry him, I suppose, if the law is not against it—then she has the earldom, and the Oaklands, and Nettlewood, all at once.—Gad, we should come in winners, after all—and, I dare say, this old boy Touchwood is as rich as a Jew—worth a hundred thousand at least—He is too peremptory to be cut up for sixpence under a hundred thousand.—And he talks of putting me to rights—I must not wince—must stand still to be curried a little—Only, I wish the law may permit Clara's being married to this other earl.—A woman cannot marry two brothers, that is certain:—but then, if she is not married to the one of them in good and lawful form, there can be no bar to her marrying the other, I should think—I hope the lawyers will talk no nonsense about it—I hope Clara will have no foolish scruples.—But, by my word, the first thing I have to hope is, that the thing is true, for it comes through but a suspicious channel. I'll away to Clara instantly—get the truth out of her—and consider what is to be done.”

Thus partly thought and partly spoke the young Laird of St. Ronan's, hastily dressing himself, in order to enquire into the strange chaos of events which perplexed his imagination.

When he came down to the parlour where they had supped last night, and where breakfast was prepared this morning, he sent for a girl who acted as his sister's immediate attendant, and asked, “if Miss Mowbray was yet stirring?”

The girl answered, “she had not rung her bell.”

“It is past her usual hour,” said Mowbray, “but she was disturbed last night. Go, Martha, tell her to get up instantly—say I have excellent good news for her—or, if her head aches, I will come and tell them to her before she rises—go like lightning.”

Martha went, and returned in a minute or two. “I cannot make my mistress hear, sir, knock as loud as I will. I wish,” she added, with that love of evil presage which is common in the lower ranks, “that Miss Clara may be well, for I never knew her sleep so sound.”

Mowbray jumped from the chair into which he had thrown himself, ran through the gallery, and knocked smartly at his sister's door; there was no answer. “Clara, dear Clara!—Answer me but one word—say but you are well. I frightened you last night—I had been drinking wine—I was violent—forgive me!—Come, do not be sulky—speak but a single word—say but you are well.”

He made the pauses longer betwixt every branch of his address, knocked sharper and louder, listened more anxiously for an answer; at length he attempted to open the door, but found it locked, or otherwise secured. “Does Miss Mowbray always lock her door?” he asked the girl.