You rightly observe, that these retrenchments have rendered the title no longer applicable to the subject, and that some other would have been more suitable to the Work, in its present state, than that of THE ABBOT, who made so much greater figure in the original, and for whom your friend, the Benedictine, seems to have inspired you with a sympathetic respect. I must plead guilty to this accusation, observing, at the same time, in manner of extenuation, that though the objection might have been easily removed, by giving a new title to the Work, yet, in doing so, I should have destroyed the necessary cohesion between the present history, and its predecessor THE MONASTERY, which I was unwilling to do, as the period, and several of the personages, were the same.
After all, my good friend, it is of little consequence what the work is called, or on what interest it turns, provided it catches the public attention; for the quality of the wine (could we but insure it) may, according to the old proverb, render the bush unnecessary, or of little consequence.
I congratulate you upon your having found it consistent with prudence to establish your Tilbury, and approve of the colour, and of your boy's livery, (subdued green and pink.)—As you talk of completing your descriptive poem on the “Ruins of Kennaquhair, with notes by an Antiquary,” I hope you have procured a steady horse.—I remain, with compliments to all friends, dear Captain, very much
Yours, &c. &c. &c.
THE AUTHOR OF WAVERLEY.