"I have no instant thoughts of publishing."
"Ah! that will never do; you must have the fear of the public before your eyes in all your undertakings. Let us see now: A collection of fugitive pieces; but no—your fugitive poetry is apt to become stationary with the bookseller. It should be something at once solid and attractive—none of your romances or anomalous novelties—I would have you take high ground at once. Let me see: What think you of a real epic?—the grand old-fashioned historical poem which moved through twelve or twenty-four books. We'll have it so—I'll supply you with a subject—The battle between the Caledonians and Romans—The Caledoniad; or, Invasion Repelled;—let that be the title—it will suit the present taste, and you may throw in a touch of the times."
"But the invasion of Agricola was not repelled."
"No; but you are a poet—free of the corporation, and as little bound down to truth or probability as Virgil himself—You may defeat the Romans in spite of Tacitus."
"And pitch Agricola's camp at the Kaim of—what do you call it," answered Lovel, "in defiance of Edie Ochiltree?"
"No more of that, an thou lovest me—And yet, I dare say, ye may unwittingly speak most correct truth in both instances, in despite of the toga of the historian and the blue gown of the mendicant."
"Gallantly counselled!—Well, I will do my best—your kindness will assist me with local information."
"Will I not, man?—why, I will write the critical and historical notes on each canto, and draw out the plan of the story myself. I pretend to some poetical genius, Mr. Lovel, only I was never able to write verses."
"It is a pity, sir, that you should have failed in a qualification somewhat essential to the art."
"Essential?—not a whit—it is the mere mechanical department. A man may be a poet without measuring spondees and dactyls like the ancients, or clashing the ends of lines into rhyme like the moderns, as one may be an architect though unable to labour like a stone-mason—Dost think Palladio or Vitruvius ever carried a hod?"