I.
"Soldier, wake—the day is peeping:,
Honour ne'er was won in sleeping,
Never when the sunbeams still
Lay unreflected on the hill:
'Tis when they are glinted back
From axe and armour, spear and jack,
That they promise future story
Many a page of deathless glory.
Shields that are the foe man's terror,
Ever are the morning's mirror.
II.
"Arm and up—the morning beam
Hath call'd the rustic to his team,
Hath call'd the falc'ner to the lake,
Hath call'd the huntsman to the brake;
The early student ponders o'er
His dusty tomes of ancient lore.
Soldier, wake—thy harvest, fame;
Thy study, conquest; war, thy game.
Shield, that would be foeman's terror,
Still should gleam the morning's mirror.
III.
"Poor hire repays the rustic's pain;
More paltry still the sportsman's gain;
Vainest of all, the student's theme
End in gome metaphysic dream.
Yet each is up, and each has toil'd
Since first the peep of dawn has smiled;
And each is eagerer in his aim
Than he who barters life for fame.
Up, up, and arm thee, son of terror!
Be thy bright shield the morning's mirror."
When the song was finished, the Constable heard some talking without, and presently Philip Guarine entered the pavilion to tell that a person, come hither as he said by the Constable's appointment, waited permission to speak with him.
"By my appointment?" said De Lacy; "admit him immediately."
The messenger of the preceding evening entered the tent, holding in one hand his small cap and feather, in the other the rote on which he had been just playing. His attire was fantastic, consisting of more than one inner dress of various colours, all of the brightest and richest dyes, and disposed so as to contrast with each other—the upper garment was a very short Norman cloak, in bright green. An embroidered girdle sustained, in lieu of offensive weapons, an inkhorn with its appurtenances on the one side, on the other a knife for the purposes of the table. His hair was cut in imitation of the clerical tonsure, which was designed to intimate that he had arrived to a certain rank in his profession; for the Joyous Science, as the profession of minstrelsy was termed, had its various ranks, like the degrees in the church and in chivalry. The features and the manners of the man seemed to be at variance with his profession and habit; for, as the latter was gay and fantastic, the former had a cast of gravity, and almost of sternness, which, unless when kindled by the enthusiasm of his poetical and musical exertions, seemed rather to indicate deep reflection, than the thoughtless vivacity of observation which characterized most of his brethren. His countenance, though not handsome, had therefore something in it striking and impressive, even from its very contrast with the particoloured hues and fluttering shape of his vestments; and the Constable felt something inclined to patronize him, as he said, "Good-morrow, friend, and I thank thee for thy morning greeting; it was well sung and well meant, for when we call forth any one to bethink him how time passes, we do him the credit of supposing that he can employ to advantage that flitting treasure."
The man, who had listened in silence, seemed to pause and make an effort ere he replied, "My intentions, at least, were good, when I ventured to disturb my lord thus early; and I am glad to learn that my boldness hath not been evil received at his hand."
"True," said the Constable, "you had a boon to ask of me. Be speedy, and say thy request—my leisure is short."
"It is for permission to follow you to the Holy Land, my lord," said the man.
"Thou hast asked what I can hardly grant, my friend," answered De Lacy—"Thou art a minstrel, art thou not?"
"An unworthy graduate of the Gay Science, my lord," said the musician; "yet let me say for myself, that I will not yield to the king of minstrels, Geoffrey Rudel, though the King of England hath given him four manors for one song. I would be willing to contend with him in romance, lay, or fable, were the judge to be King Henry himself."
"You have your own good word, doubtless," said De Lacy; "nevertheless, Sir Minstrel, thou goest not with me. The Crusade has been already too much encumbered by men of thy idle profession; and if thou dost add to the number, it shall not be under my protection. I am too old to be charmed by thy art, charm thou never so wisely."