The monk replied, trembling, (for he was well aware that the sacerdotal character was not uniformly respected among the irascible Welshmen,) "By the oath of my order, mighty prince, I have read word for word, and letter for letter."
There was a momentary pause, while the fury of Gwenwyn, at this unexpected affront, offered to him in the presence of all his Uckelwyr, (i.e. noble chiefs, literally men of high stature,) seemed too big for utterance, when the silence was broken by a few notes from the hitherto mute harp of Cadwallon. The Prince looked round at first with displeasure at the interruption, for he was himself about to speak; but when he beheld the bard bending over his harp with an air of inspiration, and blending together, with unexampled skill, the wildest and most exalted tones of his art, he himself became an auditor instead of a speaker, and Cadwallon, not the Prince, seemed to become the central point of the assembly, on whom all eyes were bent, and to whom each ear was turned with breathless eagerness, as if his strains were the responses of an oracle.
"We wed not with the stranger,"—thus burst the song from the lips of the poet. "Vortigern wedded with the stranger; thence came the first wo upon Britain, and a sword upon her nobles, and a thunderbolt upon her palace. We wed not with the enslaved Saxon— the free and princely stag seeks not for his bride the heifer whose neck the yoke hath worn. We wed not with the rapacious Norman—the noble hound scorns to seek a mate from the herd of ravening wolves. When was it heard that the Cymry, the descendants of Brute, the true children of the soil of fair Britain, were plundered, oppressed, bereft of their birthright, and insulted even in their last retreats?—when, but since they stretched their hand in friendship to the stranger, and clasped to their bosoms the daughter of the Saxon? Which of the two is feared?—the empty water-course of summer, or the channel of the headlong winter torrent?—A maiden smiles at the summer-shrunk brook while she crosses it, but a barbed horse and his rider will fear to stem the wintry flood. Men of Mathravel and Powys, be the dreaded flood of winter—Gwenwyn, son of Cyverliock!—may thy plume be the topmost of its waves!"
All thoughts of peace, thoughts which, in themselves, were foreign to the hearts of the warlike British, passed before the song of Cadwallon like dust before the whirlwind, and the unanimous shout of the assembly declared for instant war. The Prince himself spoke not, but, looking proudly around him, flung abroad his arm, as one who cheers his followers to the attack.
The priest, had he dared, might have reminded Gwenwyn, that the Cross which he had assumed on his shoulder, had consecrated his arm to the Holy War, and precluded his engaging in any civil strife. But the task was too dangerous for Father Einion's courage, and he shrunk from the hall to the seclusion of his own convent. Caradoc, whose brief hour of popularity was past, also retired, with humbled and dejected looks, and not without a glance of indignation at his triumphant rival, who had so judiciously reserved his display of art for the theme of war, that was ever most popular with the audience.
The chiefs resumed their seats no longer for the purpose of festivity, but to fix, in the hasty manner customary among these prompt warriors, where they were to assemble their forces, which, upon such occasions, comprehended almost all the able-bodied males of the country,—for all, excepting the priests and the bards, were soldiers,—and to settle the order of their descent upon the devoted marches, where they proposed to signalize, by general ravage, their sense of the insult which their Prince had received, by the rejection of his suit.
CHAPTER THE THIRD
The sands are number'd, that make up my life;
Here must I stay, and here my life must end.
HENRY VI. ACT. I. SCENE IV.