“Ay, ay,” answered Ailsie, with a bitter grin; “and Sir William Ashton promised me a bonny red gown to the boot o’ that—a stake, and a chain, and a tar-barrel, lass! what think ye o’ that for a propine?—for being up early and doun late for fourscore nights and mair wi’ his dwining daughter. But he may keep it for his ain leddy, cummers.”
“I hae heard a sough,” said Annie Winnie, “as if Leddy Ashton was nae canny body.”
“D’ye see her yonder,” said Dame Gourlay, “as she prances on her grey gelding out at the kirkyard? There’s mair o’ utter deevilry in that woman, as brave and fair-fashioned as she rides yonder, than in a’ the Scotch withces that ever flew by moonlight ower North Berwick Law.”
“What’s that ye say about witches, ye damned hags?” said Johnie Mortheuch [Mortsheugh]; “are ye casting yer cantrips in the very kirkyard, to mischieve the bride and bridegroom? Get awa’ hame, for if I tak my souple t’ye, I’ll gar ye find the road faster than ye wad like.”
“Hegh, sirs!” answered Ailsie Gourlay; “how bra’ are we wi’ our new black coat and our weel-pouthered head, as if we had never kenn’d hunger nor thirst oursells! and we’ll be screwing up our bit fiddle, doubtless, in the ha’ the night, amang a’ the other elbo’-jiggers for miles round. Let’s see if the pins haud, Johnie—that’s a’, lad.”
“I take ye a’ to witness, gude people,” said Morheuch, “that she threatens me wi’ mischief, and forespeaks me. If ony thing but gude happens to me or my fiddle this night, I’ll make it the blackest night’s job she ever stirred in. I’ll hae her before presbytery and synod: I’m half a minister mysell, now that I’m a bedral in an inhabited parish.”
Although the mutual hatred betwixt these hags and the rest of mankind had steeled their hearts against all impressions of festivity, this was by no means the case with the multitude at large. The splendour of the bridal retinue, the gay dresses, the spirited horses, the blythesome appearance of the handsome women and gallant gentlemen assembled upon the occasion, had the usual effect upon the minds of the populace. The repeated shouts of “Ashton and Bucklaw for ever!” the discharge of pistols, guns, and musketoons, to give what was called the bridal shot, evinced the interest the people took in the occasion of the cavalcade, as they accompanied it upon their return to the castle. If there was here and there an elder peasant or his wife who sneered at the pomp of the upstart family, and remembered the days of the long-descended Ravenswoods, even they, attracted by the plentiful cheer which the castle that day afforded to rich and poor, held their way thither, and acknowledged, notwithstanding their prejudices, the influence of l’Amphitrion où l’on dîne.
Thus accompanied with the attendance both of rich and poor, Lucy returned to her father’s house. Bucklaw used his privilege of riding next to the bride, but, new to such a situation, rather endeavoured to attract attention by the display of his person and horsemanship, than by any attempt to address her in private. They reached the castle in safety, amid a thousand joyous acclamations.
It is well known that the weddings of ancient days were celebrated with a festive publicity rejected by the delicacy of modern times. The marriage guests, on the present occasion, were regaled with a banquet of unbounded profusion, the relics of which, after the domestics had feasted in their turn, were distributed among the shouting crowd, with as many barrels of ale as made the hilarity without correspond to that within the castle. The gentlemen, according to the fashion of the times, indulged, for the most part, in deep draughts of the richest wines, while the ladies, prepared for the ball which always closed a bridal entertainment, impatiently expected their arrival in the state gallery. At length the social party broke up at a late hour, and the gentlemen crowded into the saloon, where, enlivened by wine and the joyful occasion, they laid aside their swords and handed their impatient partners to the floor. The music already rung from the gallery, along the fretted roof of the ancient state apartment. According to strict etiquette, the bride ought to have opened the ball; but Lady Ashton, making an apology on account of her daughter’s health, offered her own hand to Bucklaw as substitute for her daughter’s. But as Lady Ashton raised her head gracefully, expecting the strain at which she was to begin the dance, she was so much struck by an unexpected alteration in the ornaments of the apartment that she was surprised into an exclamation, “Who has dared to change the pictures?”
All looked up, and those who knew the usual state of the apartment observed, with surprise, that the picture of Sir William Ashton’s father was removed from its place, and in its stead that of old Sir Malise Ravenswood seemed to frown wrath and vengeance upon the party assembled below. The exchange must have been made while the apartments were empty, but had not been observed until the torches and lights in the sconces were kindled for the ball. The haughty and heated spirits of the gentlemen led them to demand an immediate inquiry into the cause of what they deemed an affront to their host and to themselves; but Lady Ashton, recovering herself, passed it over as the freak of a crazy wench who was maintained about the castle, and whose susceptible imagination had been observed to be much affected by the stories which Dame Gourlay delighted to tell concerning “the former family,” so Lady Ashton named the Ravenswoods. The obnoxious picture was immediately removed, and the ball was opened by Lady Ashton, with a grace and dignity which supplied the charms of youth, and almost verified the extravagant encomiums of the elder part of the company, who extolled her performance as far exceeding the dancing of the rising generation.