Still, though the horizon was overclouded, no storm for some time ensued. Mine host had Christian faith with a lodger who had been a good paymaster as long as he had the means. And from a portrait of our landlord himself, grouped with his wife and daughters, in the style of Rubens, which suddenly appeared in the best parlour, it was evident that Dick had found some mode of bartering art for the necessaries of life.
Nothing, however, is more precarious than resources of this nature. It was observed that Dick became in his turn the whetstone of mine host’s wit, without venturing either at defence or retaliation; that his easel was transferred to a garret-room, in which there was scarce space for it to stand upright; and that he no longer ventured to join the weekly club, of which he had been once the life and soul. In short, Dick Tinto’s friends feared that he had acted like the animal called the sloth, which, heaving eaten up the last green leaf upon the tree where it has established itself, ends by tumbling down from the top, and dying of inanition. I ventured to hint this to Dick, recommended his transferring the exercise of his inestimable talent to some other sphere, and forsaking the common which he might be said to have eaten bare.
“There is an obstacle to my change of residence,” said my friend, grasping my hand with a look of solemnity.
“A bill due to my landlord, I am afraid?” replied I, with heartfelt sympathy; “if any part of my slender means can assist in this emergence——”
“No, by the soul of Sir Joshua!” answered the generous youth, “I will never involve a friend in the consequences of my own misfortune. There is a mode by which I can regain my liberty; and to creep even through a common sewer is better than to remain in prison.”
I did not perfectly understand what my friend meant. The muse of painting appeared to have failed him, and what other goddess he could invoke in his distress was a mystery to me. We parted, however, without further explanation, and I did not see him until three days after, when he summoned me to partake of the foy with which his landlord proposed to regale him ere his departure for Edinburgh.
I found Dick in high spirits, whistling while he buckled the small knapsack which contained his colours, brushes, pallets, and clean shirt. That he parted on the best terms with mine host was obvious from the cold beef set forth in the low parlour, flanked by two mugs of admirable brown stout; and I own my curiosity was excited concerning the means through which the face of my friend’s affairs had been so suddenly improved. I did not suspect Dick of dealing with the devil, and by what earthly means he had extricated himself thus happily I was at a total loss to conjecture.
He perceived my curiosity, and took me by the hand. “My friend,” he said, “fain would I conceal, even from you, the degradation to which it has been necessary to submit, in order to accomplish an honourable retreat from Gandercleaugh. But what avails attempting to conceal that which must needs betray itself even by its superior excellence? All the village—all the parish—all the world—will soon discover to what poverty has reduced Richard Tinto.”
A sudden thought here struck me. I had observed that our landlord wore, on that memorable morning, a pair of bran new velveteens instead of his ancient thicksets.
“What,” said I, drawing my right hand, with the forefinger and thumb pressed together, nimbly from my right haunch to my left shoulder, “you have condescended to resume the paternal arts to which you were first bred—long stitches, ha, Dick?”