“There is no calving in the case,” said one of the women, “but a poor fatherless wean dying; so come awa’ wi’ you, for our trust is constant in you, as Bruce said to Donald of the Isles.”
“Opiferque per orbem dicor,” said Henbane Dwining. “What is the child dying of?”
“The croup—the croup,” screamed one of the gossips; “the innocent is rouping like a corbie.”
“Cynanche trachealis—that disease makes brief work. Show me the house instantly,” continued the mediciner, who was in the habit of exercising his profession liberally, not withstanding his natural avarice, and humanely, in spite of his natural malignity. As we can suspect him of no better principle, his motive most probably may have been vanity and the love of his art.
He would nevertheless have declined giving his attendance in the present case had he known whither the kind gossips were conducting him, in time sufficient to frame an apology. But, ere he guessed where he was going, the leech was hurried into the house of the late Oliver Proudfute, from which he heard the chant of the women as they swathed and dressed the corpse of the umquhile bonnet maker for the ceremony of next morning, of which chant the following verses may be received as a modern imitation:
Viewless essence, thin and bare,
Well nigh melted into air,
Still with fondness hovering near
The earthly form thou once didst wear,
Pause upon thy pinion’s flight;
Be thy course to left or right,
Be thou doom’d to soar or sink,
Pause upon the awful brink.
To avenge the deed expelling
Thee untimely from thy dwelling,
Mystic force thou shalt retain
O’er the blood and o’er the brain.
When the form thou shalt espy
That darken’d on thy closing eye,
When the footstep thou shalt hear
That thrill’d upon thy dying ear,
Then strange sympathies shall wake,
The flesh shall thrill, the nerves shall quake,
The wounds renew their clotter’d flood,
And every drop cry blood for blood!
Hardened as he was, the physician felt reluctance to pass the threshold of the man to whose death he had been so directly, though, so far as the individual was concerned, mistakingly, accessory.
“Let me pass on, women,” he said, “my art can only help the living—the dead are past our power.”
“Nay, but your patient is upstairs—the youngest orphan”—Dwining was compelled to go into the house. But he was surprised when, the instant he stepped over the threshold, the gossips, who were busied with the dead body, stinted suddenly in their song, while one said to the others:
“In God’s name, who entered? That was a large gout of blood.”