Captain. There is a general—feeling—that the White Lady is no favourite.
Author. I think she is a failure myself; but rather in execution than conception. Could I have evoked an esprit follet, at the same time fantastic and interesting, capricious and kind; a sort of wildfire of the elements, bound by no fixed laws, or motives of action; faithful and fond, yet teazing and uncertain——
Captain. If you will pardon the interruption, sir, I think you are describing a pretty woman.
Author. On my word, I believe I am. I must invest my elementary spirits with a little human flesh and blood—they are too fine-drawn for the present taste of the public.
Captain. They object, too, that the object of your Nixie ought to have been more uniformly noble—Her ducking the priest was no Naiad-like amusement.
Author. Ah! they ought to allow for the capriccios of what is, after all, but a better sort of goblin. The bath into which Ariel, the most delicate creation of Shakspeare's imagination, seduces our jolly friend Trinculo, was not of amber or rose-water. But no one shall find me rowing against the stream. I care not who knows it—I write for general amusement; and, though I never will aim at popularity by what I think unworthy means, I will not, on the other hand, be pertinacious in the defence of my own errors against the voice of the public.
Captain. You abandon, then, in the present work—(looking, in my turn, towards the proof-sheet)—the mystic, and the magical, and the whole system of signs, wonders, and omens? There are no dreams, or presages, or obscure allusions to future events?
Author. Not a Cock-lane scratch, my son—not one bounce on the drum of Tedworth—not so much as the poor tick of a solitary death-watch in the wainscot. All is clear and above board—a Scots metaphysician might believe every word of it.
Captain. And the story is, I hope, natural and probable; commencing strikingly, proceeding naturally, ending happily—like the course of a famed river, which gushes from the mouth of some obscure and romantic grotto—then gliding on, never pausing, never precipitating its course, visiting, as it were, by natural instinct, whatever worthy subjects of interest are presented by the country through which it passes—widening and deepening in interest as it flows on; and at length arriving at the final catastrophe as at some mighty haven, where ships of all kinds strike sail and yard?
Author. Hey! hey! what the deuce is all this? Why, 'tis Ercles' vein, and it would require some one much more like Hercules than I, to produce a story which should gush, and glide, and never pause, and visit, and widen, and deepen, and all the rest on't. I should be chin-deep in the grave, man, before I had done with my task; and, in the meanwhile, all the quirks and quiddities which I might have devised for my reader's amusement, would lie rotting in my gizzard, like Sancho's suppressed witticisms, when he was under his master's displeasure.—There never was a novel written on this plan while the world stood.