“But ye hae sauld it, Ratton—ye hae sauld blood mony a time. Folk kill wi’ the tongue as weel as wi’ the hand—wi’ the word as weel as wi’ the gulley!—
It is the ‘bonny butcher lad,
That wears the sleeves of blue,
He sells the flesh on Saturday,
On Friday that he slew.”
“And what is that I ain doing now?” thought Ratcliffe. “But I’ll hae nae wyte of Robertson’s young bluid, if I can help it;” then speaking apart to Madge, he asked her, “Whether she did not remember ony o’ her auld Sangs?”
“Mony a dainty ane,” said Madge; “and blithely can I sing them, for lightsome sangs make merry gate.” And she sang,—
“When the glede’s in the blue cloud,
The lavrock lies still;
When the hound’s in the greenwood.
The hind keeps the hill.”
“Silence her cursed noise, if you should throttle her,” said Sharpitlaw; “I see somebody yonder.—Keep close, my boys, and creep round the shoulder of the height. George Poinder, stay you with Ratcliffe and tha mad yelling bitch; and you other two, come with me round under the shadow of the brae.”
And he crept forward with the stealthy pace of an Indian savage, who leads his band to surprise an unsuspecting party of some hostile tribe. Ratcliffe saw them glide of, avoiding the moonlight, and keeping as much in: the shade as possible.
“Robertson’s done up,” said he to himself; “thae young lads are aye sae thoughtless. What deevil could he hae to say to Jeanie Deans, or to ony woman on earth, that he suld gang awa and get his neck raxed for her? And this mad quean, after cracking like a pen-gun, and skirling like a pea-hen for the haill night, behoves just to hae hadden her tongue when her clavers might have dune some gude! But it’s aye the way wi’ women; if they ever hand their tongues ava’, ye may swear it’s for mischief. I wish I could set her on again without this blood-sucker kenning what I am doing. But he’s as gleg as MacKeachan’s elshin,* that ran through sax plies of bendleather and half-an-inch into the king’s heel.”
* [Elshin, a shoemaker’s awl.]
He then began to hum, but in a very low and suppressed tone, the first stanza of a favourite ballad of Wildfire’s, the words of which bore some distant analogy with the situation of Robertson, trusting that the power of association would not fail to bring the rest to her mind:—