A half-pronounced and timid “No,” was her answer.
“What! not remember moonlight, and Muschat’s Cairn, and Rob and Rat?” said he, with the same sneer;—“Your memory needs redding up, my jo.”
If Jeanie’s distresses had admitted of aggravation, it must have been to find her sister under the charge of such a profligate as this man. He was not, indeed, without something of good to balance so much that was evil in his character and habits. In his misdemeanours he had never been bloodthirsty or cruel; and in his present occupation, he had shown himself, in a certain degree, accessible to touches of humanity. But these good qualities were unknown to Jeanie, who, remembering the scene at Muschat’s Cairn, could scarce find voice to acquaint him, that she had an order from Bailie Middleburgh, permitting her to see her sister.
“I ken that fa’ weel, my bonny doo; mair by token, I have a special charge to stay in the ward with you a’ the time ye are thegither.”
“Must that be sae?” asked Jeanie, with an imploring voice.
“Hout, ay, hinny,” replied the turnkey; “and what the waur will you and your tittie be of Jim Ratcliffe hearing what ye hae to say to ilk other?—Deil a word ye’ll say that will gar him ken your kittle sex better than he kens them already; and another thing is, that if ye dinna speak o’ breaking the Tolbooth, deil a word will I tell ower, either to do ye good or ill.”
Thus saying, Ratcliffe marshalled her the way to the apartment where Effie was confined.
Shame, fear, and grief, had contended for mastery in the poor prisoner’s bosom during the whole morning, while she had looked forward to this meeting; but when the door opened, all gave way to a confused and strange feeling that had a tinge of joy in it, as, throwing herself on her sister’s neck, she ejaculated, “My dear Jeanie!—my dear Jeanie! it’s lang since I hae seen ye.” Jeanie returned the embrace with an earnestness that partook almost of rapture, but it was only a flitting emotion, like a sunbeam unexpectedly penetrating betwixt the clouds of a tempest, and obscured almost as soon as visible. The sisters walked together to the side of the pallet bed, and sate down side by side, took hold of each other’s hands, and looked each other in the face, but without speaking a word. In this posture they remained for a minute, while the gleam of joy gradually faded from their features, and gave way to the most intense expression, first of melancholy, and then of agony, till, throwing themselves again into each other’s arms, they, to use the language of Scripture, lifted up their voices, and wept bitterly.
Even the hardhearted turnkey, who had spent his life in scenes calculated to stifle both conscience and feeling, could not witness this scene without a touch of human sympathy. It was shown in a trifling action, but which had more delicacy in it than seemed to belong to Ratcliffe’s character and station. The unglazed window of the miserable chamber was open, and the beams of a bright sun fell right upon the bed where the sufferers were seated. With a gentleness that had something of reverence in it, Ratcliffe partly closed the shutter, and seemed thus to throw a veil over a scene so sorrowful.
“Ye are ill, Effie,” were the first words Jeanie could utter; “ye are very ill.”