"The price of ointment must be up in the north," said Frank, "that puts Mother Blood so much out of humour."

Without a moment's hesitation the fury darted her knife at him with the vengeful dexterity of a wild Indian. As he was on his guard, he avoided the missile by a sudden motion of his head, but it whistled past his ear, and stuck deep in the clay wall of a partition behind.

"Come, come, mother," said the robber, seizing her by both wrists, "I shall teach you who's master;" and so saying, he forced the hag backwards by main force, who strove vehemently until she sunk on a bunch of straw, and then, letting go her hands, he held up his finger towards her in the menacing posture by which a maniac is intimidated by his keeper. It appeared to produce the desired effect; for she did not attempt to rise from the seat on which he had placed her, or to resume any measures of actual violence, but wrung her withered hands with impotent rage, and brayed and howled like a demoniac.

"I will keep my promise with you, you old devil," said Frank; "the wench shall not go forward on the London road, but I will not have you touch a hair of her head, if it were but for your insolence."

This intimation seemed to compose in some degree the vehement passion of the old hag; and while her exclamations and howls sunk into a low, maundering, growling tone of voice, another personage was added to this singular party.

"Eh, Frank Levitt," said this new-comer, who entered with a hop, step, and jump, which at once conveyed her from the door into the centre of the party, "were ye killing our mother? or were ye cutting the grunter's weasand that Tam brought in this morning? or have ye been reading your prayers backward, to bring up my auld acquaintance the deil amang ye?"

The tone of the speaker was so particular, that Jeanie immediately recognised the woman who had rode foremost of the pair which passed her just before she met the robbers; a circumstance which greatly increased her terror, as it served to show that the mischief designed against her was premeditated, though by whom, or for what cause, she was totally at a loss to conjecture. From the style of her conversation, the reader also may probably acknowledge in this female an old acquaintance in the earlier part of our narrative.

"Out, ye mad devil!" said Tom, whom she had disturbed in the middle of a draught of some liquor with which he had found means of accommodating himself; "betwixt your Bess of Bedlam pranks, and your dam's frenzies, a man might live quieter in the devil's ken than here."—And he again resumed the broken jug out of which he had been drinking.

"And wha's this o't?" said the mad woman, dancing up to Jeanie Deans, who, although in great terror, yet watched the scene with a resolution to let nothing pass unnoticed which might be serviceable in assisting her to escape, or informing her as to the true nature of her situation, and the danger attending it,—"Wha's this o't?" again exclaimed Madge Wildfire.

"Douce Davie Deans, the auld doited whig body's daughter, in a gipsy's barn, and the night setting in? This is a sight for sair een!—Eh, sirs, the falling off o' the godly!—and the t'other sister's in the Tolbooth of Edinburgh; I am very sorry for her, for my share—it's my mother wusses ill to her, and no me—though maybe I hae as muckle cause."