CHAPTER XI.
“By this hand, thou think’st me as far in the devil’s book as thou and Falstaff, for obduracy and persistency. Let the end try the man.... Albeit I could tell to thee, (as to one it pleases me, for fault of a better, to call my friend,) I could be sad, and sad indeed too.”
Henry IV., Part 2d.
We must now change the scene from Zetland to Orkney, and request our readers to accompany us to the ruins of an elegant, though ancient structure, called the Earl’s Palace. These remains, though much dilapidated, still exist in the neighbourhood of the massive and venerable pile, which Norwegian devotion dedicated to Saint Magnus the Martyr, and, being contiguous to the Bishop’s Palace, which is also ruinous, the place is impressive, as exhibiting vestiges of the mutations both in Church and State which have affected Orkney, as well as countries more exposed to such convulsions. Several parts of these ruinous buildings might be selected (under suitable modifications) as the model of a Gothic mansion, provided architects would be contented rather to imitate what is really beautiful in that species of building, than to make a medley of the caprices of the order, confounding the military, ecclesiastical, and domestic styles of all ages at random, with additional fantasies and combinations of their own device, “all formed out of the builder’s brain.”
The Earl’s Palace forms three sides of an oblong square, and has, even in its ruins, the air of an elegant yet massive structure, uniting, as was usual in the residence of feudal princes, the character of a palace and of a castle. A great banqueting-hall, communicating with several large rounds, or projecting turret-rooms, and having at either end an immense chimney, testifies the ancient Northern hospitality of the Earls of Orkney, and communicates, almost in the modern fashion, with a gallery, or withdrawing-room, of corresponding dimensions, and having, like the hall, its projecting turrets. The lordly hall itself is lighted by a fine Gothic window of shafted stone at one end, and is entered by a spacious and elegant staircase, consisting of three flights of stone steps. The exterior ornaments and proportions of the ancient building are also very handsome; but, being totally unprotected, this remnant of the pomp and grandeur of Earls, who assumed the license as well as the dignity of petty sovereigns, is now fast crumbling to decay, and has suffered considerably since the date of our story.
With folded arms and downcast looks the pirate Cleveland was pacing slowly the ruined hall which we have just described; a place of retirement which he had probably chosen because it was distant from public resort. His dress was considerably altered from that which he usually wore in Zetland, and seemed a sort of uniform, richly laced, and exhibiting no small quantity of embroidery: a hat with a plume, and a small sword very handsomely mounted, then the constant companion of every one who assumed the rank of a gentleman, showed his pretensions to that character. But if his exterior was so far improved, it seemed to be otherwise with his health and spirits. He was pale, and had lost both the fire of his eye and the vivacity of his step, and his whole appearance indicated melancholy of mind, or suffering of body, or a combination of both evils.
As Cleveland thus paced these ancient ruins, a young man, of a light and slender form, whose showy dress seemed to have been studied with care, yet exhibited more extravagance than judgment or taste, whose manner was a janty affectation of the free and easy rake of the period, and the expression of whose countenance was lively, with a cast of effrontery, tripped up the staircase, entered the hall, and presented himself to Cleveland, who merely nodded to him, and pulling his hat deeper over his brows, resumed his solitary and discontented promenade.
The stranger adjusted his own hat, nodded in return, took snuff, with the air of a petit maitre, from a richly chased gold box, offered it to Cleveland as he passed, and being repulsed rather coldly, replaced the box in his pocket, folded his arms in his turn, and stood looking with fixed attention on his motions whose solitude he had interrupted. At length Cleveland stopped short, as if impatient of being longer the subject of his observation, and said abruptly, “Why can I not be left alone for half an hour, and what the devil is it that you want?”
“I am glad you spoke first,” answered the stranger, carelessly; “I was determined to know whether you were Clement Cleveland, or Cleveland’s ghost, and they say ghosts never take the first word, so I now set it down for yourself in life and limb; and here is a fine old hurly-house you have found out for an owl to hide himself in at mid-day, or a ghost to revisit the pale glimpses of the moon, as the divine Shakspeare says.”
“Well, well,” answered Cleveland, abruptly, “your jest is made, and now let us have your earnest.”