Waverley Novels — Volume 12

by Walter Scott

"But the death-blow had no sooner struck the innocent youth, than his father obtained proof of the rashness with which he had acted. He had at this period been engaged in constructing the subterranean parts of the Blacquernal palace, which his remorse appointed to contain a record of his paternal grief and contrition. At the upper part of the staircase, called the Pit of Acheron, he caused to be constructed a large chamber, still called the Hall of Judgment, for the purpose of execution. A passage through an archway in the upper wall leads from the hall to the place of misery, where the axe, or other engine, is disposed for the execution of state prisoners of consequence. Over this archway was placed a species of marble altar, surmounted by an image of the unfortunate Crispus—the materials were gold, and it bore the memorable inscription, TO MY SON, WHOM I RASHLY CONDEMNED, AND TOO HASTILY EXECUTED. When constructing this passage, Constantine made a vow, that he himself and his posterity, being reigning Emperors, would stand beside the statue of Crispus, at the time when any individual of their family should be led to execution, and before they suffered him to pass from the Hall of Judgment to the Chamber of Death, that they should themselves be personally convinced of the truth of the charge under which he suffered.

"Time rolled on—the memory of Constantine was remembered almost like that of a saint, and the respect paid to it threw into shadow the anecdote of his son's death. The exigencies of the state rendered it difficult to keep so large a sum in specie invested in a statue, which called to mind the unpleasant failings of so great a man. Your Imperial Highness's predecessors applied the metal which formed the statue to support the Turkish wars; and the remorse and penance of Constantine died away in an obscure tradition of the Church or of the palace. Still, however, unless your Imperial Majesty has strong reasons to the contrary, I shall give it as my opinion, that you will hardly achieve what is due to the memory of the greatest of your predecessors, unless you give this unfortunate criminal, being so near a relation of your own, an opportunity of pleading his cause before passing by the altar of refuge; being the name which is commonly given to the monument of the unfortunate Crispus, son of Constantine, although now deprived both of the golden letters which composed the inscription, and the golden image which represented the royal sufferer."

A mournful strain of music was now heard to ascend the stair so often mentioned.

"If I must hear the Caesar Nicephorus Briennius, ere he pass the altar of refuge, there must be no loss of time," said the Emperor; "for these melancholy sounds announce that he has already approached the Hall of Judgment."

Both the Imperial ladies began instantly, with the utmost earnestness, to deprecate the execution of the Caesar's doom, and to conjure Alexius, as he hoped for quiet in his household, and the everlasting gratitude of his wife and daughter, that he would listen to their entreaties in behalf of an unfortunate man, who had been seduced into guilt, but not from his heart.

"I will at least see him," said the Emperor, "and the holy vow of Constantine shall be in the present instance strictly observed. But remember, you foolish women, that the state of Crispus and the present Caesar, is as different as guilt from innocence, and that their fates, therefore, may be justly decided upon opposite principles, and with opposite results. But I will confront this criminal; and you, Patriarch, may be present to render what help is in your power to a dying man; for you, the wife and mother of the traitor, you will, methinks, do well to retire to the church, and pray God for the soul of the deceased, rather than disturb his last moments with unavailing lamentations."

"Alexius," said the Empress Irene, "I beseech you to be contented; be assured that we will not leave you in this dogged humour of blood-shedding, lest you make such materials for history as are fitter for the time of Nero than of Constantine."

The Emperor, without reply, led the way into the Hall of Judgment, where a much stronger light than usual was already shining up the stair of Acheron, from which were heard to sound, by sullen and intermitted fits, the penitential psalms which the Greek Church has appointed to be sung at executions. Twenty mute slaves, the pale colour of whose turbans gave a ghastly look to the withered cast of their features, and the glaring whiteness of their eyeballs, ascended two by two, as it were from the bowels of the earth, each of them bearing in one hand a naked sabre, and in the other a lighted torch. After these came the unfortunate Nicephorus; his looks were those of a man half-dead from the terror of immediate dissolution, and what he possessed of remaining attention, was turned successively to two black-stoled monks, who were anxiously repeating religious passages to him alternately from the Greek scripture, and the form of devotion adopted by the court of Constantinople. The Caesar's dress also corresponded to his mournful fortunes: His legs and arms were bare, and a simple white tunic, the neck of which was already open, showed that ho had assumed the garments which were to serve his last turn. A tall muscular Nubian slave, who considered himself obviously as the principal person in the procession, bore on his shoulder a large heavy headsman's axe, and, like a demon waiting on a sorcerer, stalked step for step after his victim. The rear of the procession was closed by a band of four priests, each of whom chanted from time to time the devotional psalm which was thundered forth on the occasion; and another of slaves, armed with bows and quivers, and with lances, to resist any attempt at rescue, if such should be offered.

It would have required a harder heart than that of the unlucky princess to have resisted this gloomy apparatus of fear and sorrow, surrounding, at the same time directed against, a beloved object, the lover of her youth, and the husband of her bosom, within a few minutes of the termination of his mortal career.

As the mournful train approached towards the altar of refuge, half-encircled as it now was by the two great and expanded arms which projected from the wall, the Emperor, who stood directly in the passage, threw upon the flame of the altar some chips of aromatic wood, steeped in spirit of wine, which, leaping at once into a blaze, illuminated the doleful procession, the figure of the principal culprit, and the slaves, who had most of them extinguished their flambeaux so soon as they had served the purpose of lighting them up the staircase.