The Chieftain, who, during this scene had appeared rather to watch the emotions which were excited than to partake their high tone of enthusiasm, filled with claret a small silver cup which stood by him. 'Give this,' he said to an attendant, 'to Mac-Murrough nan Fonn (i.e. of the songs), and when he has drank the juice, bid him keep, for the sake of Vich Ian Vohr, the shell of the gourd which contained it.' The gift was received by Mac-Murrough with profound gratitude; he drank the wine, and, kissing the cup, shrouded it with reverence in the plaid which was folded on his bosom. He then burst forth into what Edward justly supposed to be an extemporaneous effusion of thanks and praises of his Chief. It was received with applause, but did not produce the effect of his first poem. It was obvious, however, that the clan regarded the generosity of their Chieftain with high approbation. Many approved Gaelic toasts were then proposed, of some of which the Chieftain gave his guest the following versions:—
'To him that will not turn his back on friend or foe.' 'To him that never forsook a comrade.' 'To him that never bought or sold justice.' 'Hospitality to the exile, and broken bones to the tyrant.' 'The lads with the kilts.' 'Highlanders, shoulder to shoulder,'—with many other pithy sentiments of the like nature.
Edward was particularly solicitous to know the meaning of that song which appeared to produce such effect upon the passions of the company, and hinted his curiosity to his host. 'As I observe,' said the Chieftain, 'that you have passed the bottle during the last three rounds, I was about to propose to you to retire to my sister's tea-table, who can explain these things to you better than I can. Although I cannot stint my clan in the usual current of their festivity, yet I neither am addicted myself to exceed in its amount, nor do I,' added he, smiling, 'keep a Bear to devour the intellects of such as can make good use of them.'
Edward readily assented to this proposal, and the Chieftain, saying a few words to those around him, left the table, followed by Waverley. As the door closed behind them, Edward heard Vich Ian Vohr's health invoked with a wild and animated cheer, that expressed the satisfaction of the guests and the depth of their devotion to his service.
CHAPTER XXI
THE CHIEFTAIN'S SISTER
The drawing-room of Flora Mac-Ivor was furnished in the plainest and most simple manner; for at Glennaquoich every other sort of expenditure was retrenched as much as possible, for the purpose of maintaining, in its full dignity, the hospitality of the Chieftain, and retaining and multiplying the number of his dependants and adherents. But there was no appearance of this parsimony in the dress of the lady herself, which was in texture elegant, and even rich, and arranged in a manner which partook partly of the Parisian fashion and partly of the more simple dress of the Highlands, blended together with great taste. Her hair was not disfigured by the art of the friseur, but fell in jetty ringlets on her neck, confined only by a circlet, richly set with diamonds. This peculiarity she adopted in compliance with the Highland prejudices, which could not endure that a woman's head should be covered before wedlock.
Flora Mac-Ivor bore a most striking resemblance to her brother Fergus; so much so that they might have played Viola and Sebastian with the same exquisite effect produced by the appearance of Mrs. Henry Siddons and her brother, Mr. William Murray, in these characters. They had the same antique and regular correctness of profile; the same dark eyes, eye-lashes, and eye-brows; the same clearness of complexion, excepting that Fergus's was embrowned by exercise and Flora's possessed the utmost feminine delicacy. But the haughty and somewhat stern regularity of Fergus's features was beautifully softened in those of Flora. Their voices were also similar in tone, though differing in the key. That of Fergus, especially while issuing orders to his followers during their military exercise, reminded Edward of a favourite passage in the description of Emetrius:
—whose voice was heard around, Loud as a trumpet with a silver sound.
That of Flora, on the contrary, was soft and sweet—'an excellent thing in woman'; yet, in urging any favourite topic, which she often pursued with natural eloquence, it possessed as well the tones which impress awe and conviction as those of persuasive insinuation. The eager glance of the keen black eye, which, in the Chieftain, seemed impatient even of the material obstacles it encountered, had in his sister acquired a gentle pensiveness. His looks seemed to seek glory, power, all that could exalt him above others in the race of humanity; while those of his sister, as if she were already conscious of mental superiority, seemed to pity, rather than envy, those who were struggling for any farther distinction. Her sentiments corresponded with the expression of her countenance. Early education had impressed upon her mind, as well as on that of the Chieftain, the most devoted attachment to the exiled family of Stuart. She believed it the duty of her brother, of his clan, of every man in Britain, at whatever personal hazard, to contribute to that restoration which the partisans of the Chevalier St. George had not ceased to hope for. For this she was prepared to do all, to suffer all, to sacrifice all. But her loyalty, as it exceeded her brother's in fanaticism, excelled it also in purity. Accustomed to petty intrigue, and necessarily involved in a thousand paltry and selfish discussions, ambitious also by nature, his political faith was tinctured, at least, if not tainted, by the views of interest and advancement so easily combined with it; and at the moment he should unsheathe his claymore, it might be difficult to say whether it would be most with the view of making James Stuart a king or Fergus Mac-Ivor an earl. This, indeed, was a mixture of feeling which he did not avow even to himself, but it existed, nevertheless, in a powerful degree.