“Surely,” he said, “this fit of childish folly could not make me miss my aim—more likely that the bullet had been withdrawn clandestinely from the pistol.”
He examined that which was undischarged—he found the bullet in it. He investigated the apartment opposite to the point at which he had fired, and, at five feet from the floor in a direct line between the bed-side and the place where the appearance had been seen, a pistol-ball had recently buried itself in the wainscot. He had little doubt, therefore, that he had fired in a just direction; and indeed to have arrived at the place where it was lodged, the bullet must have passed through the appearance at which he aimed, and proceeded point blank to the wall beyond. This was mysterious, and induced him to doubt whether the art of witchcraft or conjuration had not been called in to assist the machinations of those daring conspirators, who, being themselves mortal, might, nevertheless, according to the universal creed of the times, have invoked and obtained assistance from the inhabitants of another world.
His next investigation respected the picture of Victor Lee itself. He examined it minutely as he stood on the floor before it, and compared its pale, shadowy, faintly-traced outlines, its faded colours, the stern repose of the eye, and death-like pallidness of the countenance, with its different aspect on the preceding night, when illuminated by the artificial light which fell full upon it, while it left every other part of the room in comparative darkness. The features seemed then to have an unnatural glow, while the rising and falling of the flame in the chimney gave the head and limbs something which resembled the appearance of actual motion. Now, seen by day, it was a mere picture of the hard and ancient school of Holbein; last night, it seemed for the moment something more. Determined to get to the bottom of this contrivance if possible, Everard, by the assistance of a table and chair, examined the portrait still more closely, and endeavoured to ascertain the existence of any private spring, by which it might be slipt aside,—a contrivance not unfrequent in ancient buildings, which usually abounded with means of access and escape, communicated to none but the lords of the castle, or their immediate confidants. But the panel on which Victor Lee was painted was firmly fixed in the wainscoting of the apartment, of which it made a part, and the Colonel satisfied himself that it could not have been used for the purpose which he had suspected.
He next aroused his faithful squire, Wildrake, who, notwithstanding his deep share of the “blessedness of sleep,” had scarce even yet got rid of the effects of the grace-cup of the preceding evening. “It was the reward,” according to his own view of the matter, “of his temperance; one single draught having made him sleep more late and more sound than a matter of half-a-dozen, or from thence to a dozen pulls, would have done, when he was guilty of the enormity of rere-suppers,[[1]] and of drinking deep after them.”
[1] Rere-suppers (quasi arrière) belonged to a species of luxury introduced in the jolly days of King James’s extravagance, and continued through the subsequent reign. The supper took place at an early hour, six or seven o’clock at latest—the rere-supper was a postliminary banquet, a hors d’œuvre, which made its appearance at ten or eleven, and served as an apology for prolonging the entertainment till midnight.
“Had your temperate draught,” said Everard, “been but a thought more strongly seasoned, Wildrake, thou hadst slept so sound that the last trump only could have waked thee.”
“And then,” answered Wildrake, “I should have waked with a headache, Mark; for I see my modest sip has not exempted me from that epilogue.— But let us go forth, and see how the night, which we have passed so strangely, has been spent by the rest of them. I suspect they are all right willing to evacuate Woodstock, unless they have either rested better than we, or at least been more lucky in lodgings.”
“In that case, I will dispatch thee down to Joceline’s hut, to negotiate the re-entrance of Sir Henry Lee and his family into their old apartments, where, my interest with the General being joined with the indifferent repute of the place itself, I think they have little chance of being disturbed either by the present, or by any new Commissioners.”
“But how are they to defend themselves against the fiends, my gallant Colonel?” said Wildrake. “Methinks had I an interest in yonder pretty girl, such as thou dost boast, I should be loth to expose her to the terrors of a residence at Woodstock, where these devils—I beg their pardon, for I suppose they hear every word we say—these merry goblins—make such gay work from twilight till morning.”
“My dear Wildrake,” said the Colonel, “I, as well as you, believe it possible that our speech may be overheard; but I care not, and will speak my mind plainly. I trust Sir Henry and Alice are not engaged in this silly plot; I cannot reconcile it with the pride of the one, the modesty of the other, nor the good sense of both, that any motive could engage them in so strange a conjunction. But the fiends are all of your own political persuasion, Wildrake, all true-blue cavaliers; and I am convinced, that Sir Henry and Alice Lee, though they be unconnected with them, have not the slightest cause to be apprehensive of their goblin machinations. Besides, Sir Henry and Joceline must know every corner about the place: it will be far more difficult to play off any ghostly machinery upon him than upon strangers. But let us to our toilet, and when water and brush have done their work, we will enquire—what is next to be done.”