He had known every corner, both of the inhabited and uninhabited part of the mansion, and availed himself of the candle to traverse two or three intricate passages, which he was afraid he might not remember with sufficient accuracy. This movement conveyed him to a sort of oeil-de-boeuf, an octagon vestibule, or small hall, from which various rooms opened. Amongst these doors, Everard selected that which led to a very long, narrow, and dilapidated gallery, built in the time of Henry VIII., and which, running along the whole south-west side of the building, communicated at different points with the rest of the mansion. This he thought was likely to be the post occupied by those who proposed to act the sprites upon the occasion; especially as its length and shape gave him some idea that it was a spot where the bold thunder might in many ways be imitated.
Determined to ascertain the truth if possible, he placed his light on a table in the vestibule, and applied himself to open the door into the gallery. At this point he found himself strongly opposed either by a bolt drawn, or, as he rather conceived, by somebody from within resisting his attempt. He was induced to believe the latter, because the resistance slackened and was renewed, like that of human strength, instead of presenting the permanent opposition of an inanimate obstacle. Though Everard was a strong and active young man, he exhausted his strength in the vain attempt to open the door; and having paused to take breath, was about to renew his efforts with foot and shoulder, and to call at the same time for assistance, when to his surprise, on again attempting the door more gently, in order to ascertain if possible where the strength of the opposing obstacle was situated, he found it gave way to a very slight impulse, some impediment fell broken to the ground, and the door flew wide open. The gust of wind, occasioned by the sudden opening of the door, blew out the candle, and Everard was left in darkness, save where the moonshine, which the long side-row of latticed windows dimmed, could imperfectly force its way into the gallery, which lay in ghostly length before him.
The melancholy and doubtful twilight was increased by a quantity of creeping plants on the outside, which, since all had been neglected in these ancient halls, now completely overgrown, had in some instances greatly diminished, and in others almost quite choked up, the space of the lattices, extending between the heavy stone shaftwork which divided the windows, both lengthways and across. On the other side there were no windows at all, and the gallery had been once hung round with paintings, chiefly portraits, by which that side of the apartment had been adorned. Most of the pictures had been removed, yet the empty frames of some, and the tattered remnants of others, were still visible along the extent of the waste gallery; the look of which was so desolate, and it appeared so well adapted for mischief, supposing there were enemies near him, that Everard could not help pausing at the entrance, and recommending himself to God, ere, drawing his sword, he advanced into the apartment, treading as lightly as possible, and keeping in the shadow as much as he could.
Markham Everard was by no means superstitious, but he had the usual credulity of the times; and though he did not yield easily to tales of supernatural visitations, yet he could not help thinking he was in the very situation, where, if such things were ever permitted, they might be expected to take place, while his own stealthy and ill-assured pace, his drawn weapon, and extended arms, being the very attitude and action of doubt and suspicion, tended to increase in his mind the gloomy feelings of which they are the usual indications, and with which they are constantly associated. Under such unpleasant impressions, and conscious of the neighbourhood of something unfriendly, Colonel Everard had already advanced about half along the gallery, when he heard some one sigh very near him, and a low soft voice pronounce his name.
“Here I am,” he replied, while his heart beat thick and short. “Who calls on Markham Everard?”
Another sigh was the only answer.
“Speak,” said the Colonel, “whoever or whatsoever you are, and tell with what intent and purpose you are lurking in these apartments?”
“With a better intent than yours,” returned the soft voice.
“Than mine!” answered Everard in great surprise. “Who are you that dare judge of my intents?”
“What, or who are you, Markham Everard, who wander by moonlight through these deserted halls of royalty, where none should be but those who mourn their downfall, or are sworn to avenge it?”