AT NARNI IN ITALY: THIRTEENTH CENTURY
3. A Broken War-Bridge of the Thirteenth Century, Repaired with Timber.
A very valuable illustration, and for several reasons. The gatehouse with its pointed archway is unusually tall; and the machicolated box below the slightly gabled roof is unique in my experience. The holes above this defensive work are partly for ventilation and partly for crossbowmen, whose fire would “puncture” an attack on the right entrance of the bridge. There is but one arrow-hole on the first storey, and I should not care to shoot through it while molten lead or boiling oil came sizzling down in two streams from that machicolated box. I do not know why the gate-tower was made so very high, but suppose that its engineer wished to build a place of vantage from which the movements of an attack could be seen afar off, beyond the entrance gates. In any case it failed to save four of the arches from gunpowder wars; and note the restoration! Could anything speak to us more clearly of the primitive bridge with stone piers united by rough timbering?
WAR-BRIDGE OVER THE GAV-DE-PAU AT ORTHEZ IN FRANCE
4. The War-Bridge at Orthez.
In the wizard country of the French Pyrenees there are some very notable bridges, such as the Pont Napoléon, near Saint-Sauveur, the Pont d’Espagne, beyond Cauterets, and the Vieux Pont at Orthez. To study these three works, side by side, is to learn that modern bridge-building has achieved in stone a few great works as daring as any that the Middle Ages produced. The Pont d’Orthez has a graceful distinction, and for nearly six hundred years it has borne the formidable spates of the Gav-de-Pau. In the tierce-point arches, and particularly in the largest one, there is good drawing; the spandrils are relieved from dullness in a simple and effective manner that gives support to the base of the parapet; perhaps the roadway dips too much on the left-hand side, and the fortified tower is too slim to be in scale with the broad pier from which it ascends. Add twelve inches of width to the side face, and see how different the tower looks! In fact, Brangwyn has done this instinctively, as I find by comparing his vigorous pen-sketch from nature with my photographs. The tower has but one machicolation, it guards the base of the pier from boat attacks and scaling ladders; but the spy-holes below the roof served many purposes, including those for which machicolations were invented. A vaulted passage conducts the road through the tower; it is lighted on the far side by an opening called the Priests’ Window, because the priests and monks of Orthez jumped through it into the river, driven to this act by the orders of Gabriel de Montgomery. Such is the legend, and there’s not a word of history in its drama. For the rest, Orthez has seen no war since the great combat of February 27, 1814, when Wellington prepared the way for the battle of Toulouse by defeating the French, under Soult.