The Society of Antiquaries was fairly started in 1707, by Wanley, Bagford, and Talman, who agreed to meet together every Friday under penalty of sixpence. It had originated about 1580, when it held its first sittings in the Heralds’ College; but it did not obtain a charter till 1751, both Elizabeth and James being afraid of its meddling with royal prerogatives and illustrious genealogies, and the Civil War having interrupted its proceedings. Its first meeting was at the Bear Tavern, in the Strand. In 1739 the members were limited to one hundred, and the terms were one guinea entrance and twelve shillings annually. The society agreed to discuss antiquarian subjects, and chiefly those relating to English history prior to James I. In 1751 George II. granted its members a charter, and in 1777 George III. gave them apartments in Somerset House, where they continued till their recent removal to Burlington House. The terms now are eight guineas admission, and four guineas annually. The Archæologia, a journal of the society’s proceedings, commenced in 1770. The meetings are every Thursday evening from November to June, and the anniversary meeting is the 23d of April.

The museum of this society contains, among other treasures, the Household Book of the Duke of Norfolk; a large and valuable collection of early proclamations and ballads; T. Porter’s unique map of London (Charles I.); a folding picture in panel, of the “Preaching at Old St. Paul’s in 1616;” early portraits of Edward IV. and Richard III., engraved for the third series of Ellis’s Letters; a three-quarter portrait of Mary I. with the monogram of Lucas de Heere, and the date 1546; a curious portrait of the Marquis of Winchester (who died 1571); the portrait by Sir Antonio More, of Schorel, a Dutch painter; portraits of antiquaries—Burton, the Leicestershire antiquary, Peter le Neve, Humphrey Wanley Baker, of St. John’s College, William Stukeley, George Vertue, and Edward, Earl of Oxford, presented by Vertue; a Bohemian astronomical clock of gilt brass, made in 1525 for Sigismund, King of Poland, and bought at the sale of the effects of James Ferguson, the astronomer; and a spur of gilt brass, found on Towton field, the scene of the bloody conflict between Edward IV. and the Lancastrian forces. Upon the shank is engraved the following posey—“En loial amour tout mon coer.”[122]

The Astronomical Society was instituted in 1820, and received the royal charter in 1st William IV. The entrance-money is two guineas, and the annual subscription the same amount. The annual general meeting is the second Friday in February. A medal is awarded every year. The society has a small but good mathematical library, and a few astronomical instruments.

A little above the entrance door to “the Stamps and Taxes” there is a white watch-face let into the wall. Local tradition declares it was left there in votive gratitude by a labourer who fell from a scaffolding and was saved by the ribbon of his watch catching in some ornament. It was really placed there by the Royal Society as a meridian mark for a portable transit instrument in a window of an ante-room.[123]

A tradition of Nelson belongs to this quiet square. An old clerk at Somerset House used to describe seeing the hero of the Nile pass on his way to the Admiralty. Thin and frail, with only one arm, he would enter the vestibule at a smart pace, and make direct for his goal, pushing across the rough round stones of the quadrangle, instead of taking, like others, the smooth pavement. Nelson always took the nearest way to the object he wished to attain.[124]

The Royal Academy soon found a home in Somerset House. Germs of this institution are to be found as early as the reign of Charles I., when Sir Francis Kynaston, a translator of Chaucer into Latin (circa 1636), was chosen regent of an academy in Covent Garden.[125]

In 1643 that shifty adventurer, Sir Balthazar Gerbier, who had been fellow ambassador with Rubens in Spain, started some quack establishment of the same kind at Bethnal Green. He afterwards went to Surinam, was turned out by the Dutch, came back, designed an ugly house at Hampstead Marshal, in Berks, and died in 1667.

In 1711 Sir Godfrey Kneller instituted a private art academy, of which he became president. Hogarth, writing about 1760, says, that sixty years before some artists had started an academy, but their leaders assuming too much pomposity, a caricature procession was drawn on the walls of the studio, upon which the society broke up in dudgeon. Sir James Thornhill, in 1724, then set up an academy at his own house in Covent Garden, while others, under Vanderbank, turned a neighbouring meeting-house into a studio; but these rival confederations broke up at Sir James’s death in 1734.

Hogarth, his son-in-law, opened an academy, under the direction of Mr. Moser, at the house of a painter named Peter Hyde, in Greyhound Court, Arundel Street. In 1739 these artists removed to a more commodious house in Peter’s Court, St. Martin’s Lane, where they continued till 1767, when they removed to Pall Mall.

In 1738 the Duke of Richmond threw open to art-students his gallery at Whitehall, closed it again when his absence in the German war prevented the paying of the premiums, was laughed at, and then re-opened it again. It lasted some years, and Edwards, author of the Anecdotes, studied there.