Near the Savoy stood the palace of the bishops of Carlisle, which was obtained by exchange with Henry VIII. for Rochester Place at Lambeth. The English sultan gave it to his lucky favourite, Bedford, who took it as his residence. In the reign of James I. the Earl of Worcester bought it; and in 1627 the Duke of Beaufort let it to Lord Clarendon, while his ill-fated house was building in Piccadilly. It was then rebuilt on a smaller scale by the duke, and eventually burnt down in 1695.[142] The present Beaufort Buildings were then erected. Beaufort House, which occupies the site of one in which Cardinal Beaufort died, is now a printing-office.

Blake, the mystical painter, died in 1828, at No. 3 Fountain Court, after five years’ residence there. In these dim rooms he believed he saw the ghost of a flea, Satan himself looking through the bars of the staircase window, to say nothing of hosts of saints, angels, evil spirits, and fairies. Here also he wrote verse passionate as Shelley’s and pure and simple-hearted as Wordsworth’s. Here he engraved, tinted, railed at Woollett, and raved over his Dante illustrations; for though poor and unknown, he was yet regal in his exulting self-confidence. Here, just before his death, the old man sat up in bed, painting, singing, and rejoicing. He died without a struggle.[143]

The office of the Sun is on this side the Strand. This paper was established in 1792. Mr. Jerdan left the Sun in 1816, selling his share for £300. He had quarrelled with the co-proprietor, Mr. John Taylor, who aspired to a control over him. In 1817 he set up the Literary Gazette, the first exclusive organ of literary men.[144] The first editor of the Sun got an appointment in the West Indies. The paper was then edited by Robert Clark, printer of the London Gazette, and afterwards by Jerdan, assisted by Fladgate the facetious lawyer, Mulloch, and John Taylor. After getting his sop in the pan of £300 a year from Government, that low-principled satirist, Dr. Wolcot (Peter Pindar), wrote epigrams for it.

Fountain Court was in Strype’s time famous for an adjacent tavern from which it derived its name. It was well paved, and its houses were respectably inhabited.[145] The Fountain Tavern was renowned for its good rooms, excellent vaults, “curious kitchen,” and old wine. The Fountain Club, of which Pulteney was a member (circa 1737), held its meetings in this tavern, to oppose that fine old Whig gentleman Sir Robert Walpole.[146] Sir Charles Hanbury Williams thus mentions it in one of his lampoons:—

“Then enlarge on his cunning and wit,
Say how he harangued at the Fountain,
Say how the old patriots were bit,
And a mouse was produced by a mountain.”

Here Pulteney may have planned the Craftsman with Bolingbroke, and perhaps have arranged his duel with Lord Hervey, the “Sporus” of Pope.

Dennis, the critic, mentions in his Letters dining here with Loggen, the painter, and Wilson, a writer praised by poor Otway in Tonson’s first Miscellany. “After supper,” he says, “we drank Mr. Wycherly’s health by the name of Captain Wycherly.”[147] This was the dramatist, the celebrated author of The Plain Dealer and The Country Wife.

The great room of the Fountain Tavern was afterwards Akermann’s well-known picture shop; and is now Simpson’s cigar divan.

Charles Lillie, the perfumer recommended by Steele in the Tatler (Nos. 92, 94), lived next door to the Fountain Tavern. He was burnt out and went to the east corner of Beaufort Buildings in 1709. Good-natured Steele, pitying him probably for his losses, praised his Barcelona snuff, and his orange-flower water prepared according to the Royal Society’s receipt.

The Coal Hole, in this court, was so named by Rhodes, its first landlord, from its having been originally the resort of coal-heavers. In his and Edmund Kean’s time it was respectably frequented. It was once the “Evans’s” of London, famous for steaks and ale; afterwards it sank to a low den with poses plastiques and ribald sham trials, that used to be conducted by “Baron” Nicholson, a fat gross man, but not without a certain unctuous humour, who is now dead.