"Not one hesitating thought now remained, but I fell greedily to the execution of my purpose. My garter was made of a broad piece of scarlet binding, with a sliding buckle, being sewn together at the ends. By the help of the buckle I formed a noose, and fixed it about my neck, straining it so tight that I hardly left a passage for my breath, or for the blood to circulate. The tongue of the buckle held it fast. At each corner of the bed was placed a wreath of carved work fastened by an iron pin, which passed up through the midst of it; the other part of the garter, which made a loop, I slipped over one of them, and hung by it some seconds, drawing up my feet under me, that they might not touch the floor; but the iron bent, and the carved work slipped off, and the garter with it. I then fastened it to the frame of the tester, winding it round and tying it in a strong knot. The frame broke short, and let me down again.
"The third effort was more likely to succeed. I set the door open, which reached to within a foot of the ceiling. By the help of a chair I could command the top of it, and the loop being large enough to admit a large angle of the door, was easily fixed, so as not to slip off again. I pushed away the chair with my feet; and hung at my whole length. While I hung there I distinctly heard a voice say three times, 'Tis over!' Though I am sure of the fact, and was so at the time, yet it did not at all alarm me or affect my resolution. I hung so long that I lost all sense, all consciousness of existence.
"When I came to myself again I thought I was in hell; the sound of my own dreadful groans was all that I heard, and a feeling like that produced by a flash of lightning just beginning to seize upon me, passed over my whole body. In a few seconds I found myself fallen on my face to the floor. In about half a minute I recovered my feet, and reeling and struggling, stumbled into bed again.
"By the blessed providence of God, the garter which had held me till the bitterness of temporal death was past broke just before eternal death had taken place upon me. The stagnation of the blood under one eye in a broad crimson spot, and a red circle round my neck, showed plainly that I had been on the brink of eternity. The latter, indeed, might have been occasioned by the pressure of the garter, but the former was certainly the effect of strangulation, for it was not attended with the sensation of a bruise, as it must have been had I in my fall received one in so tender a part; and I rather think the circle round my neck was owing to the same cause, for the part was not excoriated, nor at all in pain.
"Soon after I got into bed I was surprised to hear a voice in the dining-room, where the laundress was lighting a fire. She had found the door unbolted, notwithstanding my design to fasten it, and must have passed the bed-chamber door while I was hanging on it, and yet never perceived me. She heard me fall, and presently came to ask me if I was well, adding, she feared I had been in a fit.
"I sent her to a friend, to whom I related the whole affair, and dispatched him to my kinsman at the coffee-house. As soon as the latter arrived I pointed to the broken garter which lay in the middle of the room, and apprised him also of the attempt I had been making. His words were, 'My dear Mr. Cowper, you terrify me! To be sure you cannot hold the office at this rate. Where is the deputation?' I gave him the key of the drawer where it was deposited, and his business requiring his immediate attendance, he took it away with him; and thus ended all my connection with the Parliament office."
THE TEMPLE FOUNTAIN, FROM AN OLD PRINT
In February, 1732, Tanfield Court, a quiet, dull nook on the east side of the Temple, to the south of that sombre Grecian temple where the Master resides, was the scene of a very horrible crime. Sarah Malcolm, a laundress, aged twenty-two, employed by a young barrister named Kerrol in the same court, gaining access to the rooms of an old lady named Duncomb, whom she knew to have money, strangled her and an old servant, and cut the throat of a young girl, whose bed she had probably shared. Some of her blood-stained linen, and a silver tankard of Mrs. Duncomb's, stained with blood, were found by Mr. Kerrol concealed in his chambers. Fifty-three pounds of the money were discovered at Newgate hidden in the prisoner's hair. She confessed to a share in the robbery, but laid the murder to two lads with whom she was acquainted. She was, however, found guilty, and hung opposite Mitre Court, Fleet Street. The crowd was so great that one woman crossed from near Serjeants' Inn to the other side of the way on the shoulders of the mob. Sarah Malcolm went to execution neatly dressed in a crape gown, held up her head in the cart with an air, and seemed to be painted. A copy of her confession was sold for twenty guineas. Two days before her execution she dressed in scarlet, and sat to Hogarth for a sketch, which Horace Walpole bought for £5. The portrait represents a cruel, thin-lipped woman, not uncomely, sitting at a table. The Duke of Roxburghe purchased a perfect impression of this print, Mr. Timbs says, for £8 5s. Its original price was sixpence. After her execution the corpse was taken to an undertaker's on Snow Hill, and there exhibited for money. Among the rest, a gentleman in deep mourning—perhaps her late master, Mr. Kerrol—stooped and kissed it, and gave the attendant half-a-crown. She was, by special favour (for superiority even in wickedness has its admirers), buried in St. Sepulchre's Churchyard, from which criminals had been excluded for a century and a half. The corpse of the murderess was disinterred, and her skeleton, in a glass case, is still to be seen at the Botanic Garden, Cambridge.