In the reign of James I. blood was again shed before St. Paul's. Years before a bishop had been murdered at the north door; now, before the west entrance (in January, 1605-6), four of the desperate Gunpowder Plot conspirators (Sir Everard Digby, Winter, Grant, and Bates) were there hung, drawn, and quartered. Their attempt to restore the old religion by one blow ended in the hangman's strangling rope and the executioner's cruel knife. In the May following a man of less-proven guilt (Garnet, the Jesuit) suffered the same fate in St. Paul's Churchyard; and zealots of his faith affirmed that on straws saved from the scaffold miraculous portraits of their martyr were discovered.
The ruinous state of the great cathedral, still without a tower, now aroused the theological king. He first tried to saddle the bishop and chapter, but Lord Southampton, Shakespeare's friend, interposed to save them. Then the matter went to sleep for twelve years. In 1620 the king again awoke, and came in state with all his lords on horseback, to hear a sermon at the Cross and to view the church. A royal commission followed, Inigo Jones, the king's protégé, whom James had brought from Denmark, being one of the commissioners. The sum required was estimated at £22,536. The king's zeal ended here; and his favourite, Buckingham, borrowed the stone collected for St. Paul's for his Strand palace, and from parts of it was raised that fine watergate still existing in the Thames Embankment gardens.
When Charles I. made that narrow-minded churchman, Laud, Bishop of London, one of Laud's first endeavours was to restore St. Paul's. Charles I. was a man of taste, and patronised painting and architecture. Inigo Jones was already building the Banqueting House at Whitehall. The king was so pleased with Inigo's design for the new portico of St. Paul's, that he proposed to pay for that himself. Laud gave £1,200. The fines of the obnoxious and illegal High Commission Court were set apart for the same object. The small sheds and houses round the west front were ruthlessly cleared away. All shops in Cheapside and Lombard Street, except goldsmiths, were to be shut up, that the eastern approach to St. Paul's might appear more splendid. The church of St. Gregory, at the south-west wing of the cathedral, was removed and rebuilt. Inigo Jones cut away all the decayed stone and crumbling Gothic work of the Cathedral, and on the west portico expended all the knowledge he had acquired in his visit to Rome. The result was a pagan composite, beautiful but incongruous. The front, 161 feet long and 162 feet high, was supported by fourteen Corinthian columns. On the parapet above the pillars Inigo proposed that there should stand ten statues of princely benefactors of St. Paul's. At each angle of the west front there was a tower. The portico was intended for a Paul's Walk, to drain off the profanation from within.
THE CHAPTER HOUSE OF OLD ST. PAUL'S, FROM A VIEW BY HOLLAR
Nor were the London citizens backward. One most large-hearted man, Sir Paul Pindar, a Turkey merchant who had been ambassador at Constantinople, and whose house is still to be seen in Bishopsgate Street, contributed £10,000 towards the screen and south transept. The statues of James and Charles were set up over the portico, and the steeple was begun, when the storm arose that soon whistled off the king's unlucky head. The coming troubles cast shadows around St. Paul's. In March, 1639, a paper was found in the yard of the deanery, before Laud's house, inscribed—"Laud, look to thyself. Be assured that thy life is sought, as thou art the fountain of all wickedness;" and in October, 1640, the High Commission sitting at St. Paul's, nearly 2,000 Puritans made a tumult, tore down the benches in the consistory, and shouted, "We will have no bishops and no High Commission."
The Parliament made short work with St. Paul's, of Laud's projects, and Inigo Jones's classicalisms. They at once seized the £17,000 or so left of the subscription. To Colonel Jephson's regiment, in arrears for pay, £1,746, they gave the scaffolding round St. Paul's tower, and in pulling it to pieces down came part of St. Paul's south transept. The copes in St. Paul's were burnt (to extract the gold), and the money sent to the persecuted Protestant poor in Ireland. The silver vessels were sold to buy artillery for Cromwell. There was a story current that Cromwell intended to sell St. Paul's to the Jews for a synagogue. The east end of the church was walled in for a Puritan lecturer; the graves were desecrated; the choir became a cavalry barracks; the portico was let out to sempsters and hucksters, who lodged in rooms above; James and Charles were toppled from the portico; while the pulpit and cross were entirely destroyed. The dragoons in St. Paul's became so troublesome to the inhabitants by their noisy brawling games and their rough interruption of passengers, that in 1651 we find them forbidden to play at ninepins from six a.m. to nine p.m.
