FOOTNOTES
[1] Cf. Gardiner, pp. 8–9.
[2] See infra, p. 228 and n. 2.
[3] B. S. A., XI, 1904–5, fig. 7 and pp. 12–14. The horse also appears on clay documents from Knossos with royal chariots and also on tombstones and fragmentary frescoes of Mycenæ; for the latter, see Arch. Eph., 1887, Pl. XI. On the Libyan origin of the first horses introduced into Greece, see W. Ridgeway, The Origin and Influence of the Thoroughbred Horse, 1905, p. 480.
[4] See the bull depicted on a seal from Praisos, to be mentioned below: Angelo Mosso, The Palaces of Crete, 1907, p. 218, fig. 98. The Italian Mission found at Hagia Triada the bones of a gigantic bull, and Mosso (cf. p. 216, n. 1) found the remains of one at Phaistos.
[5] B. S. A., VII, 1900–1, pp. 94 f. and VIII, 1901–2, p. 74; Mosso, op. cit., pp. 216–218; H. R. Hall, Anc. History of the Near East, 1913, Pl. IV., 2; Mrs. R. C. Bosanquet, Days in Attica, 1914, Pl. II; Richter, Hbk. of the Classical Collection of the Metropolitan Museum of Art, 1917, p. 23, fig. 13. As Dr. Evans’ Atlas has not yet appeared, the plate in the text is taken from a watercolor by Gilliéron, in the museum of Liverpool.
[6] It has often been pictured and described: e. g., Schliemann, Tiryns, 1885, Pl. XIII; Schuchhardt, Schliemann’s Excavations, 1891, pp. 119 f. and fig. 111; Tsountas-Manatt, The Mycenæan Age, 1897, p. 51, fig. 12; Perrot-Chipiez, VI, p. 887, fig. 439; Mosso, op. cit., p. 220, fig. 100; H. B. Walters, The Art of the Greeks, 1906, Pl. LIX; Springer-Michaelis, p. 113, fig. 242; Tiryns, Die Ergebn. d. Ausgrab. d deutsch. Instituts in Athen, II, 1912, Pl. XVIII.
[7] On analogy with the Knossos fresco this figure, because of its white skin, should be that of a woman and not of a man, as the usual color of the latter is red. However, the charioteers painted white on frescoes discovered at Tiryns in 1910, which represent a boar hunt (see Rodenwaldt, A. M., XXXVI, 1911, pp. 198 f. and fig. 2, p. 201, restored; see also Tiryns, II, Pl. XII, in color) are regarded by Hall as youths and not women. He remarks that in Egypt young princes, who led the “sheltered life,” were often represented on monuments as pale, though red was the more usual color: see Hall, op. cit., p. 58 and n. 1; id., Aegean Archæology, 1914, p. 190 and fig. 74 on p. 192. Rodenwaldt interprets them as female: l. c.