[257] Bronz. v. Ol., Textbd., pp. 19 f. (nude youths with lost attributes so that they can not be named with certainty); Tafelbd., Pl. VIII, 47 (the oldest); VII, 48 = F. W., 352 (Apollo, following Overbeck, Gr. Kunstmytk., III, Apollon, p. 35, fig. 6); VIII, 49 = F. W., 353; VIII, 51–4 and 57 (the latter is a boxer of the fifth century B. C. = Fig. 2 in text); VI, 50; VI, 59 (right arm of a fifth-century B. C. diskobolos); VI, 63 (right lower leg). Purgold, Annali, LVII, 1885, pp. 167 f., makes these diskoboloi decorative in character.

[258] De Ridder, no. 747.

[259] Ibid., no. 746.

[260] Ibid., no. 636.

[261] Carapanos, Dodone et ses Ruines, 1878, Pl. XI, 1 and 1 bis (probably not Atalanta, as Carapanos suggests on p. 31, no. 4).

[262] B. C. H., XXI, 1897, Pls. X and XI.

[263] A. M., XV, 1890, p. 365.

[264] Jb., I, 1886, pp. 163 f., and Pl. IX; II, 1887, pp. 95 f.

[265] Carapanos, op. cit., Pl. XIII, 1.

[266] E. g., see E. von Sacken, Die antiken Bronzen des k. k. Muenz- und Antiken-Cabinetes in Wien, 1871, Pl. 37, fig. 4, and Pl. 45, fig. 1; cf. J. H. S., I, Pl. V, fig. 1, text, pp. 176–7. See lists, from which many of the above examples are taken, in Reisch, p. 39, and Rouse, pp. 172 f.