[516] Princ. Gr. Art, Ch. XI (Portrait Sculpture), pp. 165 f.
[517] Gardner, p. 165, cites Bernouilli, Griech. Ikonogr., 1901, as listing 26 known portraits of Euripides and 32 of Demosthenes, and calls attention to the fact that 870 plates in the Bruckmann series, Griech. und Roem. Portraets (ed. Brunn und Arndt), from 1891 on, are of Roman portraits. On the subject of Græco-Roman portraits, see also Bernouilli, Roem. Ikonogr., 1882–94; Hekler, Greek and Roman Portraits, 1912; and the works of E. Q. Visconti, now antiquated: Iconogr. gr. (Paris, 1808) and Iconogr. romana (Milan, 1818).
[518] XXXIV, 74. Pausanias mentions a portrait of Perikles without naming the artist, I, 25.1; cf. I. 28.2. The inscribed base was found in Athens in 1888: Ἀρχαιολογικὸν Δελτίον, 1889, pp. 36 f. (Lolling). A terminal portrait of Perikles, extant in several copies, has been identified as a copy of this work, e. g., one in the British Museum: B. M. Sculpt., I, no. 549; Furtw., Mp., Pl. VII, opp. p. 118 (profile, fig, 46, p. 119); Hekler, op. cit., Pl. 4 a.; F. W., 481. Another replica is in the Vatican: Helbig, Fuehrer, I, 276, and Nachtraege, II, p. 471; Visconti, Iconogr. gr., I, Pl. XV; B. B., 156; Hekler, op. cit., Pl. 4 b. However, Hitz.-Bluemn., I, p. 307, ad loc. Paus., think that the word ἀνδριάς used by Pausanias can not apply to a terminal bust; Furtw., Mp., p. 117, n. 4, says that the word does not necessarily mean a whole statue. Cf. Bernouilli, Jb., XI, 1896, pp. 107 f.; Furtw., Mp., pp. 117 f.
[519] See I. G. B., 62, 63.
[520] Philopseudes, 18 f.
[521] Αὐτοανθρώπῳ ὅμοιον, §18.
[522] A good example of a Roman copy (from the age of Hadrian) of an original iconic athlete statue in bronze from the end of the fourth century B. C., is a bearded head in the Museo Chiaramonti; its swollen ears and the deep furrow in the hair for the metal crown show that it is from the statue of a victor. See Amelung, Vat., I, p. 483, no. 257 and Tafelbd., I, Pl. 50; Arndt-Bruckmann, Gr. und Roem. Portr., Pls. 223–4.
[523] XXXV, 153. Jex-Blake, p. 176, justly remarks that this invention had nothing to do with the custom of taking death-masks.
[524] Xen., Symp., IV, 17: θαλλοφόρους γὰρ τῇ Ἀθηνᾷ τοὺς καλοὺς γέροντας ἐκλέγονται κ. τ. λ.; cf. Aristoph., Vesp., 544, and Athen., XIII, 20 (p. 565) and scholion.
[525] XIII, 90 (p. 609 e, f); here he quotes a history of Arkadia by Nikias.