[566] Furtw.-Wolters, Beschr. d. Glyptothek,2 1910, no. 457, pp. 398 f.; Furtw., Mp., p. 291; Mw., p. 507; F. W., no. 216; B. B., 8; Bulle, 207 (front and side); Kekulé, A. Z., XLI, 1883, Pl. XIV, 3, p. 246; H. Schrader, Jh. oest. arch. Inst., 1911, p. 74; Hauser, R. M., X, 1895, pp. 103 f. Kekulé, because of its similarity to the Apollo of the West Gable, derived it from the art of the Olympia pediment sculptures; Flasch, Verh. d. 29sten Philologenversamml., Innsbruck, 1874, p. 162, and Brunn, Beschr. d. Glypt.5, no. 302, and Sitzb. Muen. Akad., 1892, p. 658, classed it as Polykleitan; Bulle calls it Attic-Argive without Polykleitan influence, while Furtwaengler finds it Polykleitan-Attic. The latter gives several replicas, two of green and black basalt respectively, in the Museo delle Terme, and a marble head in the Museo Chiaramonti, no. 475. Bulle gives the height of the Munich head as 0.23 meter.
[567] Αἰδώς; cf. decor, applied to the work of Polykleitos by Quintilian: Inst. Orat., XII, 9. 7–8; cf. also Vitruvius, de Arch., I, 2.
[568] Furtw.-Urlichs, Denkm. d. gr. und roem. Skulpt., Hdausgabe,3 1911, p. 102, n. 1. He adds that it is das Ideal von Reinheit, Unschuld, liebenswuerdig edler Groesse, eines der herrlichsten griechischen Originale, die uns erhalten sind. It is photographed ibid., figs. 30, 31. In the Beschr. d. Glypt., p. 399, he says it is das edelste und vollendetste Werk, das die Glyptothek besitzt—ihr kostbarster Schatz, etc.
[569] Formerly in the Coll. Tyszkiewicz: B. B., 324, (two views); Bulle, 206 (two views); von Mach, 481 (two views); Mon. Piot, I, 1894, pp. 77 f. (E. Michon) and Pls. X, XI; S. Reinach, Têtes,[P2, looked in original] Pl. 72 and p. 58; Kalkmann, Prop. d. Gesichts, p. 27 (vignette); Collignon, II, Frontispiece and p. 169; Gardner, Sculpt., Pl. XL; Furtw., Mp., pp. 290–1 and Pl. XIV; Mw., p. 507. The best illustration of the head is given by de Ridder, Les Bronzes antiques du Louvre, I, 1913, Pl. I (and text p. 8, on no. 4). It is 0.33 meter in height (Bulle).
[570] Preface to Furtw., Mp., p. xiii.
[571] So Furtw., l. c.; Bulle, however, sees in it only Attic work and finds it slightly coarser and harder than the Munich head described.
[572] Invent. 5633; Bronzi d’Ercol., I, 73, 74; D. Comparetti e G. de Petra, La Villa Ercolanese dei Pisoni, 1883, XI, 1; B. B., 323 (two views); Rayet, II, Pl. 67; Furtw., Mp., p. 291; Mw., p. 508; the latter believes that it, like the preceding two heads, is Polykleitan and Attic.
[573] Bedeutung der Gymnastik in d. gr. Kunst, 1905; cf. also Gardner, Sculpt., p. 23, and Hbk., p. 215.
[574] Furtw.-Urlichs, Denkmaeler, already cited, p. 63, n. 3. (Translated under the title Greek and Roman Sculpture by H. Taylor, 1914; p. 119.)
[575] See F. W. G. Foat, Anthropometry of Greek Statues, J. H. S., XXXV, 1915, pp. 225 f. (p. 226).