[863] In the same way the pediment statues from Aegina differ from Attic works by straighter lines and more compact forms.
[864] He won a chariot victory some time between Ols. (?) 98 and 101 ( = 388 and 376 B. C.): P., VI, 2.8; Hyde, 17 ( = 105 d; P., VI, 1.26); Foerster, 310.
[865] He won in chariot-racing some time between Ols. (?) 115 and 130 ( = 320 and 260 B. C.): P., VI, 13.11; Hyde, 122; Foerster, 513. The date is from the lettering on the recovered base: Inschr. v. Ol., 177; cf. Hyde, p. 51. On such statues, cf. Reisch, p. 41.
[866] The spelling Ηαγελαιδας occurs on two blocks, d, e, from the Praxiteles bathron at Olympia: Inschr. v. Ol., 631 = I. G. B., 30; for the whole Praxiteles bathron see Inschr. v. Ol., 266. Dittenberger and Purgold keep the reading Hagelaïdas. Possibly the spelling Ἁγελαίδα stands for ὁ Ἀγελαίδα; the MSS. of Pliny read Hagelades; see I. G. B., p. xviii, Add. to no. 30; Gardner, Hbk., p. 217, n. 1. On the sculptor, see Lechat, p. 380 and n. 4, and pp. 454 f.; Collignon, I, pp. 316 f.; Joubin, pp. 14 f., 83 f., 92 f., etc.; Brunn, pp. 63 f.; Gardner, Hbk., pp. 216 f.; and especially Pfuhl, in Pauly-Wissowa, VII, pp. 2189 f.
[867] For Myron, see Pliny, H. N., XXXIV, 57. Furtwaengler, Mp., p. 196, Mw., 379–80, thinks that the connection is not literally true, even if considerations of chronology are not against it, and derives the story of Hagelaïdas teaching Myron from the similarity between the work of the two. For Polykleitos, see Pliny, H. N., XXXIV, 55. The tradition that Hagelaïdas was the master of Polykleitos has been unreasonably assailed by many scholars: e. g., by Robert, Arch. Maerchen, 1886, p. 97; Mahler, Polyklet u. s. Sch., 3912, pp. 6 f.; Klein, I, p. 340; cf. II, p. 143; cf. Springer-Michaelis, I, p. 210. Furtwaengler, Mp., p. 196, Mw., p. 380, believes it impossible because of chronological difficulties, and assumes a sculptor of an intermediate generation as the teacher of Polykleitos; he, followed by Mahler, l. c., and Klein, I, 340, names Argeiadas (mentioned in I. G. B., no. 30) as this intermediate artist. However, he admits that the statement is true in a general sense, since Polykleitos developed his canon from that of Hagelaïdas: cf. 50stes Berl. Winckelmannsprogr., p. 149; Pfuhl, however, p. 2192, has shown that the relationship is perfectly possible.
[868] To be mentioned infra, p. III and note 2.
[869] Dio Chrysost., de Hom. et Socr., 1; here Mueller amends the MSS. reading ΗΠΟΥ to ΗΓΙΟΥ; E. A. Gardner, Class. Rev., 1894, p. 70, wrongly reads Ἡγελάδου.
[870] Mp., pp. 53 and 196; Mw., pp. 80–81, and 380.
[871] Wilamowitz has shown that it comes from Apollonios, son of Chairis, who lived circa 100 B. C., and that it goes back probably to the Chronica of Apollodoros of Athens, who lived in the middle of the second century B. C.: Aus Kydathen (Kiessling and Wilamowitz, Philolog. Untersuchungen, I, 1880), pp. 154 f. Kalkmann, in his Quellen der Kunstgesch. d. Plinius, p. 41, believes that the date which is given by Pliny (XXXIV, 49) for the floruit of Hagelaïdas, Ol. 87 ( = 423–429 B. C.), comes from the same Apollodoros.
[872] Op. cit., pp. 41 and 65 f.; Pfuhl, p. 2194. Brunn, l. c., Overbeck, I, p. 140, and Robert, l. c., had assumed an earlier plague at the beginning of the fifth century B. C.; but the real occasion for the dedication of the Herakles remains obscure.