[993] Of the Elean boxer Satyros, who won two victories in Ols. (?) 102, 103 ( = 372, 368 B. C.): P., VI, 4.5; Hyde, 39; Foerster, 342, 348; of the boy boxers Telestas and Damaretos of Messene, who won some time between Ols. 102 and 114 ( = 372 and 324 B. C.): P., VI, 14.4; Hyde, 127; Foerster, 378; and P., VI, 14.11; Hyde, 130; Foerster, 373. On the sculptor, see Hyde, p. 35.
[994] P., VI, 4.5; Hyde, 40; Foerster, 494.
[995] P., VI, 12.8 f.; Hyde, 109; Foerster, 529; cf. Robert, Hermes, XIX, 1884, pp. 306 f. On the artist family of Polykles, his sons Timokles and Timarchides, Polykles Minor and Timarchides Minor, see Robert, l. c., pp. 300 f.; Hyde, pp. 45–47 and table on p. 46.
[996] E. g., H. N., XXXIV, 73 (Boëdas); XXXIV, 78 (Euphranor); XXXIV, 90 (Sthennis). In XXXIV, 91, he gives a list of artists who made statues of sacrificantes.
[997] In the Iliad, I, 450; VIII, 347; XV, 371; Aischylos, Prom., 1005 (ὑπτιάσμασι χερῶν); etc. On the attitude of prayer in Greek art, see L. Gurlitt, A. M., VI, 1881, pp. 158 f. (who tries to show that the gestures of prayer and adoration were distinct); Sittl, Die Gebaerden der Gr. und Roem., pp. 305 f.; cf. Conze, Jb., I, 1886, pp. 1–13 (on the Praying Boy of Berlin, Pl. 10.) See also Dar.-Sagl., I, pp. 80 f., s. v. adoratio.
[998] V, 25. 5.
[999] See article by P. Girard and J. Martha in B. C. H., II, 1878, pp. 421 f. (lists of inventories of objects consecrated there).
[1000] Scherer, p. 33, shows that the gesture in such statues was meant to invoke victory rather than to pay thanks for one that had been gained.
[1001] Scherer agrees with Philostratos, Vit. Apoll. Tyan., IV, 28, that the gesture of the right hand of the statue was one of prayer, and argues from it that many similar statues existed there: p. 31. Rouse wrongly assumes that all such statues were votive: p. 170.
[1002] P., VI, 1.7; he won in Ol. (?) 79 ( = 464 B. C.): Hyde, 8; Foerster, 233.