[1073] Invent., 5610; Bronzi d’Ercolano, I, Pls. 53–54, p. 187; Comparetti e de Petra, Villa Ercolanese dei Pisoni, 7, 4; Furtw., Mp., p. 284, figs. 121 a, b; Mw., pp. 496–7, figs. 87–8; B. B., 339 (left).
[1074] Mp., p. 283; Mw., p. 495.
[1075] Amelung, Vat., II, p. 416.
[1076] In the Museo Archeologico: Amelung, Fuehrer, no. 268 (and bibliography); B. B., 274–77; Bulle, 52–53 and 204–5 (head); von Mach, 123 (front and back views); Collignon, I, pp. 479 f. and figs. 247 (statue), 248 (head); Reinach, Rép., II, 2, 588, 2; Furtw., Mp., p. 285, fig. 122 (head); Mw., p. 499, fig. 89; Robinson, Cat. Boston Museum of Fine Arts, Suppl., no. 113; Springer-Michaelis, p. 272, fig. 488. It is 1.48 meters high (Bulle).
[1077] Ueber die Bronzestatue des sog. Idolino (49stes Berl. Winckelmannsprogr., 1889), p. 10. He classed it stylistically with the Oil-pourer of Munich and the Standing Diskobolos of the Vatican, which Brunn had called Myronic. He later, however, renounced his Myronic theory and merely called it Attic, because of its resemblance to figures on the Parthenon frieze: Beilage zu den amtlichen Berichten aus den k. Kunstsamml., XVIII, no. 5, Juli, 1897, p. 73 (quoted by Richardson, p. 161, n. 8).
[1078] Festschr. f. Benndorf, p. 175: here he assigns it not to Myron himself, but to his son.
[1079] II, p. 30; he also admits its Polykleitan features.
[1080] Polyklet u. s. Sch., pp. 70 f., 1902; he assigns it to an artist of the master’s circle.
[1081] Mp., 286; Mw., p. 500.
[1082] Cronaca, pp. 29–30, fig. 2 (= Supplemento di Bolletino d’Arte, Roma, XII, Fasic. V-VIII) 1918 (Lucia Mariani). Cf. review in A. J. A., XXIII, 1919, p. 319 and fig. 2; and also Mariani, Rend. della Reale Accad. dei Lincei, XXVI, 1918, pp. 125–138, and fig. in text.