[1363] B. M. Gems, no. 742, Pl. G; also given in B. M. Sculpt., I, p. 91, fig. 5.
[1364] Inst. orat., II, 13.10: Quid tam distortum et elaboratum quam est ille discobolos Myronis? si quis tamen, ut parum rectum, improbet opus, nonne ab intellectu artis abfuerit, in qua vel praecipue laudabilis est ipsa illa novitas ac difficultas?
[1365] Translation by G. F. Hill, in his One Hundred Masterpieces of Sculpture from the Sixth Century B. C. to the Time of Michelangelo, 1909, p. 10.
[1366] Enumerated above in Ch. III (Attic Sculptors), p. 129, n. 7. The Spartan Lykinos had two statues: P., VI, 2.1. As he won in both the hoplite-race and chariot-race, Foerster, 211 a, assumed that the two statues represented victor and charioteer, and that they stood upon the quadriga, which Pausanias does not mention. I follow Robert, O. S., p. 172, however, in assuming that the two statues represented the victor in the two events.
[1367] H. N., XXXIV, 57.
[1368] VI, 8.5; Hyde, 79 (Arkadian) and 79a (Philippos), and commentary on pp. 39 f.
[1369] The interpretation of Murray, Class. Rev., I, 1887, pp. 3–4.
[1370] The emendation of Loeschke, Dorpaterprogr., 1880, p. 9; accepted by Reisch, p. 44, n. 3, Richardson, p. 151, and others.
[1371] Der Dornauszieher und der Knabe mit der Gans, 1876, p. 89, n. 30.
[1372] Quoted by Jex-Blake, Add. to p. 46, 1.