[1453] Mp., pp. 126 f., and fig. 51; Mw., pp. 284 f., fig. 38; here the restored parts have been removed and his own restoration is given in an outline drawing. See also B. B., no. 129; Helbig, Fuehrer, I, 322; Clarac, 837, 2099.
[1454] Mentioned by P., I, 28.2 and I, 25.1; the inscribed base has been found (see Lolling, Ἀρχαιολογικὸν Δελτίον, 1889, p. 35, n. 2). The Perikles is exemplified by two inscribed copies: a terminal bust in London: B. M. Sculpt., I, no. 549 and fig. 23 on p. 289; Ancient Marbles in the British Museum, 1815, Pl. XXXII; A. Z., XXVI, 1868, Pl. II, fig. 1 and pp. 1 f. (Conze); Furtw., Mp., pp. 117 f., Pl. VII and fig. 46 (profile); Mw., Pl. IX and pp. 270 f.; F. W., 481; a terminal bust in the Vatican: Visconti, Iconogr. gr., 1824–26, I, Pl. XV and p. 178; B. B., no. 156; Helbig, Fuehrer, I, 276; Arndt-Bruckmann, Griech. u. roem. Portraets, 413, 414: Bernouilli, Griech. Ikonogr., I, Pl. XI, p. 108; etc.
[1455] H. N., XXXIV, 74; in this passage Pliny also mentions an Olympius Pericles. The Naples statue has been wrongly restored as a gladiator; it is pictured, minus the restorations, in Mp., p. 125, fig. 50; Mw., p. 282, fig. 37; cf. Clarac, 870, 2210 and 872, 2210. Furtwaengler connects this statue with the bronze one of a certain Diitrephes pierced with arrows, which Pausanias saw on the Akropolis, I, 23.3; a basis found there, inscribed with the name Kresilas, supported a votive offering of Hermolykos, the son of Diitrephes, to Athena: I. G. B., 46; C. I. A., I, 402 (Kirchhoff, who opposes the connection); cf. p. 373. The base shows that a figure stood upon it in the pose of another figure, which appears on a white-faced Attic lekythos in the Cab. des Médailles in Paris (Mp., p. 124, fig. 48), which Furtwaengler believes a free rendering of the Kresilæan statue.
[1456] In Ols. 83, 84, 85 ( = 448–440 B. C.): Afr.; Foerster, 239, 245, 248. Krison is mentioned by Plato, Protag., 335 E, and de Leg., VIII, 840 A; Aristophanes of Byzantion (apud Zonaras, I, p. 451, and apud Hesych., s. v. Γρίσων); Plut., de adul. et amici Discr., 16; and de Tranqu. anim., 12; etc.
[1457] Inschr. v. Ol., 157. He won Ol. (?) 80 ( = 460 B. C.): P. VI, 8.1; Hyde, 71; Foerster, 280.
[1458] B. B., no. 321; Bulle, 164, and fig. 93 on pp. 361–2 (cast on round base in Erlangen); von Mach 72; Collignon, I, p. 417, fig. 215; Rayet, I, Pl. 35; Helbig, Fuehrer, I, 956; Guide, 617; Zielinski, Rhein. Mus., XXXIX, 1884, pp. 116 f. (who refers the original possibly to Strongylion); F. W., 215. For replicas, see Gaz. Arch., 1881, p. 130; Rayet, text to Pl. 35; and Furtwaengler, Der Dornauszieher und der Knabe mit der Gans, 1876, pp. 7 f; Reinach, Rép., 1, 344, 6. It was called a runner first by Visconti, Opere varie, 1827–31, IV, Pl. XXIII, pp. 163 f., who has been followed by Collignon, Zielinski, Rayet, Reisch (p. 46), Richardson (p. 144), and others. It is 0.80 meter high (Bulle).
[1459] E. g., Overbeck, II, pp. 182–185, and notes 10–24 on p. 186. On p. 183, fig. 186, he gives illustrations of the three principal copies—the marble one in the British Museum (a), the bronze statuette in Baron Rothschild’s collection in Paris (b), and the Capitoline bronze in Rome (c). He brings it into relation with the sculptor Boëthos, who is known to have made seated genre figures of boys, e. g., one in the Heraion at Olympia, P., V., 17. 4 (= S. Q., 1596).
[1460] Von Mach, no. 86; cf. Kekulé, A. Z., XLI, 1883, p. 244, and F. W., 215.
[1461] See B. M. Sculpt., III, pp. 109–110.
[1462] See K. Woelke, Dornauszieher-Maedchen, Jb., XXIX, 1914, pp. 17–25, figs. 1, 2, etc.